The bottom one is on a wall hanger and the pic is turned sideways
Basswood z body clear finish
Contured heal
Hipshot string thru Bridge
maple 25.5 scale warmoth neck
Ebony full scallop fingerboard
6115 stainles frets
24 fret extension
Grover 18:1 ratio locking rotomatic tuners
tusq xl nut
Double battery box
EMG 85 bridge pu
EMG 81 neck pu
(not a misprint the 81 is the neck and 85 is the bridge, try it out and you will understand why)
Because this was a prototype I did alot of mods to it to test out various tone configurations.
The switches from left to right are
1) 18volt / 9volt toggle
2) Mid boost for neck pick up (for leads)
3) master gain boost set to 6 db boost
4) phase inverter
5) standard / reverse selector for the kill switch button
6) Kill switch
7) mater volume
The master tone on the left is a push pull that disconnects the batteries when i leave it on the stand.
Only issue I had with the build was a high fret on 22nd fret. It came that way from warmoth but after the fret dress and some filing it was fine.
Over all tone:
The basswood body has a sort of natural filter effect to it. It does not resonate all the super low or super highs but leaves a strong fundamental note.
It has excellent sustain and a real growl to it. on stage it sits in the front of the mix.
The fast palm muting and metal type riffs sound amazing, its like each pluck punches like a machine gun.
Now that I have built it and played a few shows on it I am ready to build my second one and do a quilted maple top and make it look nicer.
Also I am gonna ditch the phase invert becuase its not needed on this guitar like it is on some of my les paul style guitars.
I am also going to lose the 9/18volt selector and run it 18volts the whole time.