SustainerPlayer said:MUYFUE said:Where's that smiley that's eating popcorn?
Family size please ... :icon_biggrin:
zogoibi said:Guitars are the grooviest is all that's really left to be said on this particular thread; maybe. I'm just happy to be here talking shop with all you folks with all those stars. Some of you are a true wealth of knowledge and I appreciate your sharing it. This is a stellar forum indeed. Didn't intend on being a dramatic sour sack; just felt I had to stand up for remarkable and just-as-exotic-as-it-ever-was Mahogany. Because, next thing you know Bubinga could fall out of favor and become considered a crappy ghetto wood too.
Orpheo said:Steve_Karl said:Orpheo said:slade said:I would prefer a rosewood (if you are going for a warm sounding wood) over mahogany because mahogany usually requires a finish where rosewood does not. (I like the feel of no finish on the neck).
+1
with an added bonus of a bit more articulation when you want to solo with high gain up the neck, or a smooth jazzy tone, and a bit more 'beef' to the tone when you play a solo high up the neck on the bridge pickup, it wont thin out.
Now that's interesting to hear about. I'd been flirting with the thought of a rosewood / ebony neck but was concerned about the possibility of loosing some definition in the high end fundamentals, or having the beefy mids and lows outweigh the higher notes... i.e. just the general balance of the notes.
oh, no, don't worry about that. you'll have more definition and articulation with a rosewood neck/ebony board than with any other mahogany neck+ebony board, EVER. period. the ebony will make it a bit tighter, and the RW in general has a lovely tonespectrum. nice, chunky mids, but not TOO much, the lows are there, and you'll feel them, and the highs are there, you'll feel them too, but nothing overpowers the rest, unlike mahogany, where it's 'mushmush-galore'!
black korina+padouk/bloodwood, wow, great combination! the best of a les paul-tone+ strat tone, combine it with a good pickupset, and you've got yourself a killer-allround axe. it will give you a very allround tone, beefy, chunky lows, crunchy mids and singing highs. mahogany body with a maple neck+ebony board will give you almost the same tone, by the way,but a bit less 'crunch', and a bit more 'mellow'.
Steve_Karl said:Orpheo ...
I had to report back on this.
Now that the black korina padouk/bloodwood is assembled and in use, and being compared to the mahogany maple/ebony almost daily ... I have to tell you that you totally nailed the tones of the guitars and how they differ. They have exactly the same pups and electronics but the tonal difference you described is spot on, even when just listening acoustically.
It's still there, and I'm still loving it. :headbang:AutoBat said:i just put a W mahogany/ebony neck on my strat.. i love it.
stefan said:Steve_Karl said:Orpheo ...
I had to report back on this.
Now that the black korina padouk/bloodwood is assembled and in use, and being compared to the mahogany maple/ebony almost daily ... I have to tell you that you totally nailed the tones of the guitars and how they differ. They have exactly the same pups and electronics but the tonal difference you described is spot on, even when just listening acoustically.
Steve, is that a padouk neck with bloodwood fingerboard or the other way round? I'm currently tryign to decide on a neck for my black korina strat body and this sounds promising (pics?)
Oh, and jerryjg - really like your strat! Something about it, the wood/neck/rear route/hardware and pups reminds me of a lot of my telestrat :icon_thumright: