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Jazzblaster

Patrick from Davis

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OK, at this point it is mainly a finished work, but here are the pictures for the In Progress part of the build.  First up the specs...

Warmoth Pro Neck
59' Round back
SS 6100 frets
Jazzmaster head stock
Block pearloid inlays
Rosewood board
Wenge neck

Jazzmaster Body
WRHB Pickup routes
Black Korina
Red Tortoise Shell pickguard
Black pickup guard material pick up rings
Telenator Mod2 rebuilt WRHB pickups
Bakelite Knobs
VVT wiring
1 Meg Neck, 500K Bridge, 250K No load tone
TOM / Stopbar
Callaham ABR-1 Billet steel TOM

OK, here is the finished picture, and I will add more of the various parts in later posts...
Patrick


 
You can click on the pictures to get 3 meg sized higher res photos.  So here is the list of picts...

These are the initial parts I had assembled.  The Callaham G&G case didn't work out with the off set body, so I have a case for one of my other builds.  Hard to believe that the Fireburst Tele never had a proper case until now...  Also those are NOS Tropical Fish caps.  Fo a Surf Green guitar, with a Tortoise shell guard, of course I needed to spend the extra $2.75.



Another picture of the parts



Boxes from Warmoth



The neck straight out of the box...



Another neck shot


And a third neck shot showing it's heiny

 
That's mighty nifty, Patrick. I have drunk deeply of the wenge koolaid, and a more congenial cult I don't hope to see. Plus I like taking traditional Fender ideas and giving them a nice tweak, which I would say the wide-range Thinline 'buckers most certainly are.


Looking forward to the clips, if they're forthcoming.


Bagman
 
Body shots!  Sounds like a spring break post...



With the wrapping taken off...



And the neck on the body for the first time



Pickups!  The Telenator pickups are much more solid things than the Fender Replica's right out of the bag.  Very solid.



And the Backside of the pickups



This is what Telenator sent back of the reissue pickups.  They are not very impressive.  Wax to hold them in place.



More picts in the next post.
 
OK, on to the tuners.  To line up the Planetwaves, I use a nickle and a ruler..



Then you can tighten the nut on the post and drill the holes for the set screws.  Works out pretty easy for me.  Here it is with some beater strings I got free from somewhere, I put it together because I really wanted to play the 59' profile neck.  I am a fan.  Also it is in it's new offset guitar body case.



Here is another shot of the original pickups. 



And here is the first pict that shows it almost done on a stand.  It wasn't wired in this pict and I had some trouble with a screw on one of the string trees.  Turns out (the puns...) that Wenge is some tough stuff.



And here it is in it's new home hanging on the wall next to the Wurlitzer Series 200 and the Theremin.  The Teisco short scale bass that has been Morphine-ized is also up there on the other side of the X-Files paraphernalia.



 
OK, some notes, more puns...  This is a very bright guitar, I think it would make some people double take it for a tele.  Not to surprising, but it is.  The thing rings out for a long time, and it really cuts.  If my Les Paul and metal guitar are humbucker beasts, they are more of the Death Metal sound, this thing would be more thrash.  Of course I tried it through the Engl, and yes is really cuts.  Through the deluxe it is very tele like, but has a full sound.  When I add the Fuzz Face with the germanium transistors, it really sounds good.  It doesn't sludge up too bad.  If I turn the Deluxe up it breaks up really nicely, but really retains the touch factor.  It cleans up nice if you don't whack it, and grit's up very nice when chuggin away on it.  The '59 round back is very similar to a SG I used in college, and is really easy for me to play.  It has the 25.5 inch scale on it so my big ole fingers don't get smooshed on the shorter scale, and that of course adds quite a bit of twang to it as well.  I can't say for certain that the Callaham bridge is responsible for all of the attack, but I am going to suppose that it is a big contributor.  It is a lot of fun, and not to similar to anything I have played.  I am quite happy that my version of Lee Ranaldo's, "Blaster," Jaguar guitar is a fun thing to play.  And I think that it is quite a looker, even if it is the color of every bridesmaids nightmare.
Patrick

 
You can attribute its character to the bridge, the neck, the pickups, whatever - but it's the sum total of its parts that make it what it is, and it's unique. You should be very happy - 'tis a fine thing you have put together. Quality shows and speaks, and I'm sure you can feel/hear it. You must be proud. I'll look forward to hearing some clips if you can do that.
 
I know that there is no good way to measure it, and I am sure that I could fool myself into believing it as well, but it is different.  I have a Les Paul I built out of very similar materials, and it is a very different beast.  I have read about the trem block enhancements that Floyds get, the different brands of Floyds made with differing materials, and in general the trend is that the steel stuff has more attack.  Anyhow, why is less of a concern to me, it has the attack and it is fun to play with.
Patrick

 
Wouldn't it be nice if somebody took the time and absorbed the expense to do a computerized "plek" type of fixture with a pile of sensors on it that could quantify the response of a particular build? As a database was built, you'd know what effects the various variations would have. You'd finally be able to make objective decisions. Think of all the mythology that would get blown away!

Actually, it wouldn't be that tough. Which is probably why it hasn't been done. It would probably wreck a lot of business models.
 
Patrick, you know how much I like that guitar already!
And Cagey, I've considered the same thing for quite a while. It would be a fun excuse to build stuff. Get some extremely consistent materials, something synthetic, to eliminate a lot of the variation, and test things one part at a time. I *am* going into materials science.... Hmmmm....
 
Man, that's an awesome guitar, all around.  I am also very impressed by the Morphine-ready bass.  Is the nut super high for slide play?

-Mark
 
Yes the nut is very high on the bass.  It also has the D'Addario Chromes on it, is tuned to 5ths, and up to D.  The same general note as a drop D guitar.  It is a lot of fun with a little grit, those big strings make all of the difference in the world.  Not bad for an eBay special.  Still have to wire the pickups in series, but I'll get to it one of these days.

Yes Mayfly, that is a Doug special of the "P" from the Pixies later stuff.  In an odd way, you were quite a large push to make this guitar.  Since a Starcaster was out of the question, this was the next best WRHB vehicle.  That and I really like the idea of the Jazzblaster.  But, I was able to condense those ideas together, and now I have satisfied that need.
Patrick



 
Cagey said:
Wouldn't it be nice if somebody took the time and absorbed the expense to do a computerized "plek" type of fixture with a pile of sensors on it that could quantify the response of a particular build? As a database was built, you'd know what effects the various variations would have. You'd finally be able to make objective decisions. Think of all the mythology that would get blown away!

Actually, it wouldn't be that tough. Which is probably why it hasn't been done. It would probably wreck a lot of business models.

Weird. I was thinking the very same thing just before I scrolled down to this post, Cagey! I think we would all love to see that data!
 
anorakDan said:
Cagey said:
Wouldn't it be nice if somebody took the time and absorbed the expense to do a computerized "plek" type of fixture with a pile of sensors on it that could quantify the response of a particular build? As a database was built, you'd know what effects the various variations would have. You'd finally be able to make objective decisions. Think of all the mythology that would get blown away!

Actually, it wouldn't be that tough. Which is probably why it hasn't been done. It would probably wreck a lot of business models.

Weird. I was thinking the very same thing just before I scrolled down to this post, Cagey! I think we would all love to see that data!

I used to do work for a company called "Gauging Systems" that specialized in measuring things that for various reasons were difficult to measure. We used lasers, ultrasonics, hall effects sensors, accelerometers, magnetics, etc. Most of what we measured had to do with things you couldn't touch for one reason or another, or had to be done dynamically. I wrote the software that made the data the things returned useful to humans. It was a lot of fun, and took me into places to measure some interesting things.

Actually, one of the cool things about the job was that we were often called upon to do what hadn't been done before, so you were allowed to fail and still get paid in the hope something was imminent. Think military work, or automotive R&D.

So, I have some background there. Not so much in failure - we pulled off a lot of pretty tricky stuff. But, contrary to nanny-state thinking, failure is a huge part of success. You learn what's possible or not and build on or avoid that in other applications.

There are some economies of scale that come with consumer applications that drive some devices into the dirt, cost-wise. Almost any micro-electronics is a good example of that, and for what we're talking about here, accelerometers fall into that group. They're used in smartphones for orientation sensing, cameras for anti-shake compensation, collision sensing in collision air-bag deployment decisions, and they build gajillions of those things a year. So, they're cheap. Now you're seeing them in those clamp-on headstock tuners like the Snark...

411yL9-7ILL._SL500_AA300_.jpg


You named me "Snark"? Really?

The guitar shops want $30 for them, but you can buy them online for less than $10 just about anywhere. Surprisingly sensitive and accurate, and somebody's still making money on them at that price. Tells you what the sensor costs.

So, what would it take to place a pile of those things on a holding fixture, add some A->D circuitry, and get the data into a computer to fiddle with? Seems like it should be fairly straightforward, other than about a million details.
 
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