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JazzBlaster project just arrived!!

Bagman67 said:
As I apply additional layers of lacquer to my own koa flat-top LP, I gotta tell you -- the color gets a LOT richer as you get more lacquer on.

Thanks Pat, and Bagman.  Bagman, this is purely a tru-oil build, which I guess should be even darker than clear lacquer.  So when you see it in that pic with the sealer on it, it should be comparable to your koa top picture, with the sealer on it.  It's way lighter than this...  which is STUNNING.. I might add...
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When you put on the first coat, while it is wet, see if it looks like you want.  If not, sand it back and stain to your preference.  If you like the look, keep going with the tru oil treatments.
Patrick

 
Thinking ahead to pickups, the choices are a little daunting.  Prices vary a LOT, and there isn't much information upon which to make a decision.
I'm thinking about a slightly hot Jazzmaster pu in the neck, as I really do play jazz and fusion.  Classic PAF in the Bridge, with switching to give me some middle tones with the two inside single coils.
GFS  vintage or hot- $33
        Pro series HB-  $40

S. Duncan  SJM2-    $58
        Jazz SH2b -      $73

Fralin  Jazzmaster-  $90
        HB's                $130

Lollar  Jazzmaster-  $100
          Imperial -      $165

Curtis Novak JMV -  $95 (including cover)
          HB's -          $145
Thoughts?
 
I have to recommend Roadhouse Pickups.  Not only are they great sounding, but Ken, or TroubledTreble here on the board, will take requests for how you want them to sound.  Last but not least, his prices are very good.
Patrick

 
Altar: I've been down the diMarzio road before, and it didn't go very well.  Patrick, thanks, I'll hit TroubledTreble up and see what he thinks of the project.
I listened to some demos of Lollars, and they kinda lost that 'airyness' I'm looking for in a neck pickup.  But how much can I really expect out of a youtube video?
 
There's a certain amount of risk you take with any pickup because there are so many other variables involved with how you end up sounding. Makes predicting results iffy at best. My general rule of thumb is the thing shouldn't cost more than $50-$75 or you're just paying for hype. The bill of materials and their cost are very similar for just about any pickup of a given style (single/humbucker), so all that's left is labor. If they're made in the US, or are custom-wound, you have to expect to pay a little more. But, not much.

So, why are some of them so expensive? Hype, pure and simple. Go read the Kinman or Lollar ad pages. It's like a wine review where they're getting paid by the adjective. Means almost nothing. There are others, but names escape me at the moment.

If it was me and I had no idea, I'd start off with something from GFS. They make a wide variety, and they're pretty inexpensive while still being very high quality parts. If what you get doesn't float your boat, you can always replace it and you won't feel like you've been taken to the cleaners. For what a set of Lollars will run you, you could have 4 or 5 sets of GFS parts and I guarantee you would find something to love. Then, you can build guitars around the leftovers <grin>
 
So... I talked with Ken at Roadhouse Pickups this morning, and he was great.  I think he 'gets' what I'm hoping to hear out of this guitar.  He's been following the thread, and has actually seen where it's at, and has a few Warmoth builds under his hands, already.
Who better to do the pickups than that?
Gave me a price better than some famous off-the-shelf brands, and didn't even take my money, yet.
I like thinking that this is an organic project.  The sound should be a marriage of the woods and the electronics.  It's good to think that someone who winds pickups can officiate such a marriage.

:cool01:
 
You should be very happy; Ken makes great pickups. And if anyone asks, tell 'em you got 'em custom-wound just for you to produce a shimmering chatoyence combined with a rich, creamy vintage character reminiscent of [insert guitar hero here]'s tone during his most creative period. They'll instantly sound much better <grin>
 
Cagey said:
You should be very happy; Ken makes great pickups. And if anyone asks, tell 'em you got 'em custom-wound just for you to produce a shimmering chatoyence combined with a rich, creamy vintage character reminiscent of [insert guitar hero here]'s tone during his most creative period. They'll instantly sound much better <grin>


And it'll cure your asthma, too!

 
Hmm.. Chatoyance.....  I figured it had something to do with cats in French....


chatoyant  (ʃəˈtɔɪənt)

— adj
1. having changeable lustre; twinkling
2. (of a gem, esp a cabochon) displaying a band of light reflected off inclusions of other minerals

— n

3. a gemstone with a changeable lustre, such as a cat's eye

[C18: from French, from chatoyer  to gleam like a cat's eyes, from chat cat 1 ]

cha'toyancy

— n

Yeah, that's it!
 
Ken's Roadhouse pickups have a lot of depth and clarity.  It sounds odd to say this, but you hear each string when you strum the guitar.  Roided out gain or not.  And then there is a lot of depth so your pick hand attack can change the sound quite a bit.  With neck pickups it is very apparent.  They still have the bassy slank tone, but they just articulate really well and don't fall into the pillow on your pick hand issue that a lot of neck pickups do.  I have not gone to the Cagey School of Superlatives, so that will have to do.
Patrick

 
I should also mention that Ken's pickups are professionally built. These aren't half-assed experimental basement/garage lash-ups made in an attempt to stick it to the man and earn some beer money. They're the real deal. You'll be very pleased when you get yours, unlike some pickups I could mention from an iconic guitar manufacturer...

RemovingBridgeBushing.JPG

... who shall remain nameless but whose name rhymes with... umm... "Pibson!" Yeah, That's it.
 
And, along with being professionally built, they come with free boxes.  Helluva deal.  Seriously, they are very nice.  The humbuckers I have are great.  The bridge is like a BKP Nailbomb, but with out so much high mid hiss.  Not to say the BKP has a lot, but the Roadhouse pickup has less.  And the bridge pickup is just goofy slanky fun.
Patrick

 
So, I guess this is the un-fun part, right?  Smearing black mud all over your (supposedly) well sanded baby's butt?  :icon_tongue: 
It's messy.  It stinks.  Then it shows you all the mistakes you've made up to this point. 
This ash is so soft, I've dented it by brushing a fingernail on it.
So... more sanding.  Then patching up the filling you sanded off.  Then more sanding.  :tard:
The result is still blotchy, so it will get some more work.
Then staining with black stain, probably in alcohol, so I don't mess with the grain and filler anymore.
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Meanwhile, the headstock has three coats of black lacquer out of the can on it.  I'll hit it with a wet 600 and shoot again, I think.  Then the plan is a little pearl inlay (which I've never done before either!), and clear lacquer out of another can.
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Im loving this build, alot of really great info, and, Cool pictures please keep it coming.  :icon_thumright:
 
I may have underestimated the nastiness of lacquer fumes.  I figured: "well, I'm only shooting a tiny part of the guitar (headstock), and it's from a can.  How bad can it be?".
Then I woke up this morning with the thought to attempt a 'blackburst' on the back!
Yeah, I know, I know... this thing is going in 5 directions at once.  It's not going to win me any "guitar of the month" awards.  But it seemed a great way to highlight the koa on the top, while still keeping some ash grain on the back, but not too much.
So, freehand, here's the back-in-blackburst...
I'll go over this now with the black stain, dilluted way down so I can control the fade to black.  Some lacquer runs that need to get cleaned up, then we can finally start with the tru-oil to the body.


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