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Intonation on Baritone Conversion Necks.

Heft

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Will a baritone conversion neck intonate in standard open tuning? I would put it on a body with a Floyd Rose and 0.008's
Thanks
Heft.
 
Yes. There are basically two components to what we call intonation. #1 is the additional string tension imparted by fretting. That's what the compensated nut tried to solve. #2 is the string diameter/stiffness to length getting shorter/stiffer as you move up the neck. That's what sDdles do.

Both are actually improved by a relatively longer scale length.
 
Heft said:
Will a baritone conversion neck intonate in standard open tuning? I would put it on a body with a Floyd Rose and 0.008's
Thanks
Heft.

You might want to use a different string guage due to the longer scale length an 8 set would be pretty lose.
 
I have 7's on my gibson scale right now and the move to baritone is in part to tighten up the action. 7's on a gibson scale length is almost unplayable.
stratamania said:
Heft said:
Will a baritone conversion neck intonate in standard open tuning? I would put it on a body with a Floyd Rose and 0.008's
Thanks
Heft.

You might want to use a different string guage due to the longer scale length an 8 set would be pretty lose.
 
Heft said:
I have 7's on my gibson scale right now and the move to baritone is in part to tighten up the action. 7's on a gibson scale length is almost unplayable.

A longer scale length will result in a looser action or tension not a tighter one.
 
At the same pitch. 27" baritone is 24.75" plus two more frets. 28.625 is 25.5"+2.

Each 0.001 is roughly equal to a half step in tension.

A 28.625 sporting 8's at standard pitch (E) is roughly the same tension as 0.010's tuned to STD on a 25.5. I put 14's on my acoustic, and tune to C#. So it plays like 13's on a regular scale at concert pitch.

So you should be able to put 7's at Eb or D and still have something close to the tension of a 9 at standard tuning on a standard scale.

Which is probably where you would want 7's. They have a narrow tuning range, and trying to sing to guitars in E is why the castrati once ruled the airwaves as lead singers.
 
Thanks guys.
Any idea whether a EVH D-Tuna would work with the baritone or Gibson necks? Intonation and string tension is pretty new to me.
 
The D-Tuna should work as long as it fits your bridge

As for tension - that’s a non-issue as far as I’m concerned.
Does the strings feel to tight/hard to play? Get a lighter gauge. And vice-versa if they feel loose/slinky. Just get a higher gauge. Done.
 
Bear in mind that a D-Tuna does not work with a Floyd set to float regardless of scale length, so you need to factor that in.
 
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