back2thefutre said:http://www.youtube.com/watch?v=L25yZd-3qoE&feature=related :glasses9:
elfro89 said:Squiers are OK for the price, they behave like anyone would expect a guitar in that price range to behave. I wouldn't, however say they were the absolute best thing in the world. They are good for people who don't want/see the point in spending serious cash on an instrument; such as parents buying their child their first guitar. Serious amateurs/pros is not their target market, but that's not to say they don't have their uses in that context. They are good for what they do, but they are nothing special in the entry level market.
Teletuby said:you will get a lesser degree of wood, cur on a CNC machine that will feel like the same wood of every other Fender,
The Central Scrutinizer said:Teletuby said:you will get a lesser degree of wood, cur on a CNC machine that will feel like the same wood of every other Fender,
some of the lower end squiers have a thinner body than a fender and feel like toys.. those same models are great for ripping the skin of your hands with their sharp fret ends..
but yes, there are lots of squiers that are really good guitars!
Super Turbo Jack Ace Deluxe Custom said:I don't know what Squier uses for bodies. Sometimes plywood, sometimes Agathis. What I know about Agathis could fill up a thimble. I do know if it's found on Squiers and Lagunas, and not on anything else, that tells me all I need to know. Of course, one appearance of Agathis in any major brands' custom shop models or in the hands of your favorite tonehound and all that changes. I have mucho contempt for Basswood. It's beyond me why anyone would build anything out if it, but apparently it sounds good.
Torment Leaves Scars said:I don't see where the MIM Fenders are anything great to rave about. I play them back to back with Squier Bullets all the time at the store where I take guitar lessons. While the minor details may be slightly better on a MIM Fender, they still don't come close to the American Fenders in terms of anything.
reluctant-builder said:Torment Leaves Scars said:I don't see where the MIM Fenders are anything great to rave about. I play them back to back with Squier Bullets all the time at the store where I take guitar lessons. While the minor details may be slightly better on a MIM Fender, they still don't come close to the American Fenders in terms of anything.
I don't think I've raved about my MiM, but I've been reasonably happy with it. It was my first electric and I got it for $347. I got Texas Specials as a gift, which was a considerable pickup upgrade that cost me only the fee for installation and a set-up, which was reasonable. I'm not the biggest fan of its neck, but the thing plays reasonably well and with the new pups it sounds great. I'll buy that Warmoth neck for it, eventually, though.
reluctant-builder said:Please note that what follows isn't a direct response, but a general rumination.
I think, as with most things, that to make a general assessment of quality is to do oneself a terrible disservice. By dismissing Asian-made guitars, one could be missing out on some truly well-constructed, inexpensive gems. As some have stated on this very board, there are American-made guitars that are abysmally put together (BC Rich laments spring to mind) and are put to shame by some El Cheapos.
Also, I negotiate with sellers, or I just suss out advertised prices and go to Musician's Friend for a price match. Since I'm a lefty, I rarely get to play in person the stock axes I've wanted, so I've just bitten the bullet on buying sight unseen and have aimed for the absolute lowest price I can get. I got my Swede for just over $400 (MF has it for almost $700 now) and my Super Swede for just under $550 (a quick search reveals a righty for dirt cheap on Amazon, at $441, but the next lowest I found is $677 and the rest seem to be $700 or more).
There were issues with both (frets on both were bowing out of the board so there were gaps between the crowns and fretboard, the Swede had some B-stock issues despite that I was assured by MF it was a new, A-stock guitar), but Hagstrom has a great warranty policy, so I just shipped them in and got ship-shape replacements and effusive apologies from the company. And, again, I heard people on our boards pointing out bad frets on $5,000 American-made guitars. Edit: My Heritage is my most expensive guitar and the stock nut on it was the most pathetic, laughable piece of crap nut I've ever seen on a guitar (again, I haggled the price down to account for the cost of a bone replacement nut. Problem solved.) /Edit.
I'm very happy now with both my Swedes (but for what I think is a blown neck tone pot in the Swede, which is not uncommon and not a big deal to fix), and I have two Les Paul-style guitars that I like the look of better than Pauls, that I like the feel of better than Pauls and that I have put up against my friend's many Les Pauls and found them to be admirably capable of challenging, equaling or surpassing, depending on which of the many models he own (can't remember which of the many LP permutations they are, though one has only one neck pup).
Really, what I think it comes down to is: if you like the way the guitar looks and it sounds good to you and allows you to do exactly what you wish to accomplish, it's a good guitar. To hell with what it cost and what it's made of and by whom it's made.
:rock-on:
B3Guy said:just played a basswood Squire @GC that I'm VERY close to picking up @ $100 and putting a $300 W neck on it . . . . as this is all I can afford right now.
It had great sustain and the whole body just resonates and vibrates when you strum it. (that's a good thing, right?) EVERY other guitar I picked up in there felt dead s a doornail in my hands. The only sub-par stuff compared to other guitars is the hardware and pickups.