BlueFirebird said:I actually like this headstock on Sorta-casters. I kind of wanted to have mine made with one, but the traditional fender has more room on the headstock.
Torment Leaves Scars said:BlueFirebird said:I actually like this headstock on Sorta-casters. I kind of wanted to have mine made with one, but the traditional fender has more room on the headstock.
I really liked the "Jackson-style" headstock that Warmoth offered, but since the guitar isn't a Jackson, I didn't want a "Jackson" headstock on it. The same went for the PRS-style and Fender-style headstocks.
In the end, I didn't want people who saw my guitar saying, "Hey, nice Fender, is that a custom," or "That must be a custom-made Jackson!" Both would be very nice compliments, but, you know...
BlueFirebird said:Torment Leaves Scars said:BlueFirebird said:I actually like this headstock on Sorta-casters. I kind of wanted to have mine made with one, but the traditional fender has more room on the headstock.
I really liked the "Jackson-style" headstock that Warmoth offered, but since the guitar isn't a Jackson, I didn't want a "Jackson" headstock on it. The same went for the PRS-style and Fender-style headstocks.
In the end, I didn't want people who saw my guitar saying, "Hey, nice Fender, is that a custom," or "That must be a custom-made Jackson!" Both would be very nice compliments, but, you know...
Yeah, I know what you mean. I did mine in a way to pay homage to Fender without the logo, but anyone in their right mind would know that it isn't a Fender and originally my creation. There is no avoiding all the infernal questions that comes with having a custom guitar. :blob7:
stubhead said:It's kind of funny, in that Fenders are "kit guitars" too, with parts from wherever Fender could make them most cheaply and assembled by everyone from Chinese prison labor-camp inmates to Mexican Mexicans to American illegal Mexicans to, a very few, born-here actual Americans... you just screw them together, with the added feature that real Fender employees are surely under tremendous time pressure to pack along as many units per hour as possible. The fact that Hendrix/Holly/SRV/Jonhson et alia played kit guitars is often under-reported. But no longer.... :toothy12:
BlueFirebird said:I noticed a lot of guitar techs know of Warmoth and speak very highly of their quality. Most unknowing people do draw a blank when you say "it's a Warmoth". A comment from a fellow guitar enthusiast that amused me was "sharp partscaster". Before I told him what it was from a pic he seen of it he asked me if it was a trans blue MIM. I had to think for a second "does it really look like Fender made it?", then I said "no, Made in USA from Warmoth and everything else build by me" More amusing is the guy's name is Leo, and he likes Gibsons. :icon_scratch: I don't get what would make people think Fender's suck so bad because so many guitar companies copied the crap out out the Stratocaster. So many guitar legends tore things up with a strat. I just wanted mine to be the real deal and look the part while having several advantages over a standard Fender. I do have a Schecter C-1 custom as well (through-neck), and it did take a little time to get used to the feel. It feels kind of like a Les Paul crossed with a strat, but more comfortable than it sounds.
Meh, I'd shred on that. If it's a good guitar then play it. I played in a Refused cover band and had flowers on vines for the inlays, all gold hardware with trans green finish. No one thought we were less punk because of my guitar, it's all in how it plays.This C-7+is a real sweety, about as unshreddy as any seven I've seen
stubhead said:I like Schecters a lot, their fretwork and QC are outstanding for the $500 - $800 range. I like 7-strings and I just don't think the "wizard" profile has enough meat (wood-meat) in it to get the best possible tones.... After I built my Warmoth 7 I sold a Japanese Ibanez, but Warmoth necks are still on the thin side for me and there's no boatneck option. :icon_scratch: Warmoth could probably sell a pile of seven-strings if they made them with a big neck option and maybe a 26.5" scale option, but the argument is they don't sell many sevens, so why bother. Ummm, maybe if you made something that all the posters at the seven-string forum WANT, like the anti-Ibanez...
Then I found the Schecters, a Korean C-7 Plus and the batty Damien 7 which are both fine guitars. Because of simple historical accident (so far), 7-strings tend to be either total shreddy/spiky or big fat jazz guitars - like nobody else could use a low B? This C-7+is a real sweety, about as unshreddy as any seven I've seen:
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Buzzing notes are a setup issue, as is why one Jazz bass would play different from another. Ummm, if you're going to put together Warmoths, learning set-ups is coming your way real soon.
Jusatele said:I find it funny someone does not like the way a Fender plays, seeing how the Strat is probably the most sold guitar out there because it plays so nicely. Between sales of Fenders and the knock offs of the guitar it seems to have been proven to be a HUGE success.
And about neck through Fenders, Living less than 20 miles from the Custom Shop, I have seen so many neck thru Fenders come out of there I thought it was a common option, guess we just spoiled out here. After all we kind of yawn at a lot of the custom shop stuff, but then there is a lot of stuff coming out the back door of that shop.