I finished the guitars last january but it took me until last week to REALLY finetune the playability (i.e.: smoothing the fret ends, the sides of the fretboards, polishing the turds uhm... frets!). So I brought them to a jamsession I visit occasionally. Unfortunately I soon had a fall out with the girl who arranges the session. She felt I should lend out my guitars to guys who wanted to play but had no gear. Firstly, since when is it my obligation to supply gear for others, but still... I had my warmoths and I wasn't comfortable lending them out! 5A flame maple top on lightweight 1 piece mahogany on one guitar, flamed koa on lightweight mahogany on the other, both with silver zephyrs, both with (brazilian?) RW necks and ebony boards. not a nice idea!
but before I rant about what happened, allow me to tell about the zephyrs.
they rock.
My gosh they are so awesome in a band situation. They cut through the mix, in any position, any style. rock, blues, funk, soul, jazz, old school metal (that's all I play!), it just cuts. Nuances are so audible. I parted with the guitar for a moment and the guy playing it was amazed. Not just how easy the guitar plays (that's just my doing!) but at how easy it was to coax his own sound with the guitar. The more I play them the more I am convinced these pickups are not snakeoil but the beesknees....
OK. about the musical logistics. I did borrow out the guitar. I did get it back. And my fears were confirmed. I got it back with a broken jack, covered in blood. I was standing there all the time, and I have no idea how he managed to **** up the jack, but he did. I have no idea what he was doing, but the entire neck pickup is covered in blood. It's no longer a silver zephyr but a crimson zephyr The girl who arranged it all refused to acknowledge my apprehension. Only when I showed her the result of the other guys handiwork she saw that I was right after all.
what would you guys have done in such a situation?
but before I rant about what happened, allow me to tell about the zephyrs.
they rock.
My gosh they are so awesome in a band situation. They cut through the mix, in any position, any style. rock, blues, funk, soul, jazz, old school metal (that's all I play!), it just cuts. Nuances are so audible. I parted with the guitar for a moment and the guy playing it was amazed. Not just how easy the guitar plays (that's just my doing!) but at how easy it was to coax his own sound with the guitar. The more I play them the more I am convinced these pickups are not snakeoil but the beesknees....
OK. about the musical logistics. I did borrow out the guitar. I did get it back. And my fears were confirmed. I got it back with a broken jack, covered in blood. I was standing there all the time, and I have no idea how he managed to **** up the jack, but he did. I have no idea what he was doing, but the entire neck pickup is covered in blood. It's no longer a silver zephyr but a crimson zephyr The girl who arranged it all refused to acknowledge my apprehension. Only when I showed her the result of the other guys handiwork she saw that I was right after all.
what would you guys have done in such a situation?