If you poke through the fretless site, one thing that comes up is that pretty much any auto glass shop has the capacity to cut, bend and polish weirdly-curved pieces of glass - so you don't have to throw 2300 - 2700 Euros for a Vigier, you can just take a thin neck you wouldn't mind being a quarter-inch thicker (remember -NO frets) to a glass shop.
It's an instrument that really cries out for some little kid to get a hold of it at the age of 7 or 8 and then munch the world.... most guitarists who want to make money playing music resort to frets, and the fretless stays at home. The hangover conservatism of the radio & big labels towards more more more "classic" rock comes in, but dinosaurs do go extinct. If you think of Bumblefoot & Guthrie & Vai, it's still gimmicky, but that's just structural - I would happily buy an album of great music played on a fretless. Umm, OK, where? :icon_scratch: Hmmm.
A while back, I had saved up some dough for a Warr or Chapman Stick, and I was tapping my little brains out on a seven-string. Then I bought a pile of CD's by the "touch guitar" guys - and there's something about the people who "compose" on that instrument, they all sound alike. It seems pathologically impossible to avoid an alternating tippy-tappy rhythmic structure, it was just not very good
music. Sixers Stanley Jordan & this guy are still my fave tappers:
http://www.youtube.com/watch?v=X833J0MLXgU
Point being, when some is brimming over with great compositions that require him to obsessively master a fretless guitar to play them correctly, we'll hear about it. Hasn't happened yet. And, it ain't me, babe.
Whoa... hey....