Shandrazar
Junior Member
- Messages
- 35
I am starting to look at buying my first Warmoth neck, but I would like some advice.
I own an American series strat with a one-piece maple neck. I'd like to get a thicker neck on it. I am thinking the '59 Roundback, as I am afraid the Fatback might be too thick. While I am at it, I'd also like to warm the tone up some. It would be nice If I could get a no-finish neck, too, but that is not critical. Finally, it would be good to have a neck that worked in term of color with the strat's 3-color sunburst and parchment pickguard. My budget is no more than $300, including stainless frets and a black Tusq nut.
The default option (and cheapest) would be a maple neck with a rosewood fretboard. I am not sure if that would give me as much warmth as I want. It also requires a finish. I would tung oil the heck out of it and take my chances on the warranty.
Next is mahogany with an ebony or pau ferro fretboard. That would definitely be warmer, but hopefully not too warm. The downside is that is requires a finish. I'd like an easy satin finish like tung oil, but I think I'd have to fill the grain on mahogany. That is starting to get more complicated than I want to get into. I am also not sure about the color working.
Now for the no-finish options. Canary looks promising. By the Warmoth neck woods page it appears to be a bit warmer than maple. Is the look similar to maple with a yellowed finish? If so, that would work nicely in all canary. I also don't see any canary & rosewood combos on the in-stock pages. Is that just chance, or do people avoid that combo for some reason?
Goncalo alves has also caught my eye, if I can avoid too much blotchiness. A pau ferro fretboard would cover that up from the front side. I am unclear about the tone of gonaolo alves. The Warmoth neck woods page has it brighter than mahogany, but a recent thread has it warmer than mahogany.
Past that, I am not sure what might work. Any suggestions or comments?
I own an American series strat with a one-piece maple neck. I'd like to get a thicker neck on it. I am thinking the '59 Roundback, as I am afraid the Fatback might be too thick. While I am at it, I'd also like to warm the tone up some. It would be nice If I could get a no-finish neck, too, but that is not critical. Finally, it would be good to have a neck that worked in term of color with the strat's 3-color sunburst and parchment pickguard. My budget is no more than $300, including stainless frets and a black Tusq nut.
The default option (and cheapest) would be a maple neck with a rosewood fretboard. I am not sure if that would give me as much warmth as I want. It also requires a finish. I would tung oil the heck out of it and take my chances on the warranty.
Next is mahogany with an ebony or pau ferro fretboard. That would definitely be warmer, but hopefully not too warm. The downside is that is requires a finish. I'd like an easy satin finish like tung oil, but I think I'd have to fill the grain on mahogany. That is starting to get more complicated than I want to get into. I am also not sure about the color working.
Now for the no-finish options. Canary looks promising. By the Warmoth neck woods page it appears to be a bit warmer than maple. Is the look similar to maple with a yellowed finish? If so, that would work nicely in all canary. I also don't see any canary & rosewood combos on the in-stock pages. Is that just chance, or do people avoid that combo for some reason?
Goncalo alves has also caught my eye, if I can avoid too much blotchiness. A pau ferro fretboard would cover that up from the front side. I am unclear about the tone of gonaolo alves. The Warmoth neck woods page has it brighter than mahogany, but a recent thread has it warmer than mahogany.
Past that, I am not sure what might work. Any suggestions or comments?