Leaderboard

The Psychology of Tone

hannaugh

Master Member
Messages
4,230
Premier Guitar just sent this out in their new issue.  It's the first in a series of 3 articles.  Very interesting!

http://digital.premierguitar.com/premierguitar/201002_1#pg114
 
I like the part where the writer suggests that surely there is something to be learned from the tonal secrets of the masters, but part of what there is to be learned is to seek one's own tone...
 
I enjoyed reading this very quickly and look forward to parts 2 and 3.  Was his gist that tone-quest is merely fashion?  I want to sound like Peter Green for similar reasons that I want shoes like Quentin Tarrantino's? 
The thing with great players is that they would sound great no matter what they play; I think.  And we would gravitate towards brand X.  The plastic guitars that Jack White plays are a prime example;  cheap "crap" that people are laying down ridiculous amounts of Ebay dollars for; just because he can make them thump and shriek supreme. Tone is in your touch, mostly--maybe--I don't know cause this article makes me feel like a monkey.  Thanks for posting.  I think there are so few comments on this thread because the article belittles our pursuit of something intangible through different gear and gadgets;  this can be a tender spot for aspiring musicians.  Ultimately, all you need are ears for the creation of your own tone (might sound silly but it's true);  mimicry is just a jumping off point. 
I'd never heard of this magazine, thanks.  Danelectro in excelcius!
 
I'd say a lot of it is in the hands (and, commutatively, in the ears and therefore the mind directing them).  I've heard two players in a recording session pick up the same guitar plugged into the same amp and not change a dial and play the same chords, melodies and rhythms, and sound totally different.

But that and a search for a particular "sound" are in no wise mutually-exclusive.  And I don't think searching for a good "sound" need necessarily serve as a prosthetic for a lack of chops, nor do I think being able to make a crappy tone sound better than another player would make that crappy tone any less soul-destroying; I think the two things can be and probably should be in symbiosis.

If anything, I think the article addresses and perhaps finds fault in the fetishization of the search, which is more or less a semantic or normative judgement.  One woman's fetish is another woman's mild curiosity.  I think it's a judgement which each person only can make of themselves.

From that standpoint, I'd say any insult or shame one might feel in reading the article and seeing something there which gives a twinge is most likely a self-inflicted wound.
 
This book is a real scientists look at music, sound and the brain. Great read and recommended for all musicians. 

http://www.amazon.com/This-Your-Brain-Music-Obsession/dp/0452288525/ref=sr_1_1?ie=UTF8&s=books&qid=1264076223&sr=8-1
 
I'm reading that now, tfarny.  My friend gave it to me for Christmas.  The beginning is kind of boring because I already knew most of the stuff he put in the "What is music?" chapter.  But it's getting better now.  

I think it's kind of funny that people want the exact tone of a certain song.  If you're doing a cover, it makes sense, or if you're using that tone for a particular bit it does.  But going as far as purchasing an entire guitar/amp/effects outfit so you can play one thing is insane if you ask me.  I try to always get stuff that will give me the widest range of tones possible, more bang for my buck.  I guess if you have lots and lots of cash...

I think I'm probably a lot easier to please tone-wise than most gear heads though.  I'm fine with it sounding similar rather than exact if I'm trying to copy something.  I just want to sound pleasing to my ears. 
 
Back
Top