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Suhr's description of tone woods

I think any wood can be destroyed if you are brutal on it.

My TFS6 is Basswood with a maple veneer, and it is a pointy guitar, and it's been my main axe for 16 1/2 years, no chips, just the usual belt buckle road rash on the trem cover area.
 
As I  recall Allan Holdsworth's early signature models were basswood.

I don't use it because it is boring to look at
 
Marko said:
except for that one time he played a swamp ash bodied guitar.. he sounded awful!!

You forget, he was wearing stripes at the time, and his speaker grilles were covered with the blood of a freshly slain ox. That is why his tone sucked.
 
5 out of my 8 Warmoths are basswood bodies. And they sing sweet.

But I make them sound that way. I know.  :icon_jokercolor:

On the other side I never had an alder bodied guitar where humbuckers sounded good. And I guess I've been through 20+ of the kind.

That must mean that alder sucks as a tone wood right?

But then again - none of them were Warmoths. And all my Warmoths sounds and play fantastic.

But that is maybe because I am a fantastic parts assembler and guitar set-up hero?

Anyway - solid colours sound much better!
 
Some guitars come to life under your hands. Others... not so much. It's a mystery for the ages.
 
Super Turbo Deluxe Custom said:
Biggest tone factors in this order:
-color of guitar finish
-material of insulator between tip and ring on cable
-guitar wiring color
-hair length of player
-dominant right eye
-strap button material

Very true!  :icon_biggrin:
 
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