Leaderboard

New toys: boogie and rivera and marshall content

Orpheo

Hero Member
Messages
2,783
Once, when I was younger (not that I'm old, but ok), I had the urge to play GUITARRRRRR. Hell, I had no idea what kind of guitar or even amplifier, but I wanted to play guitar. So, I listened to rock, and I knew: the les paul is my guitar. I learned soon enough, that a les paul 'had' to be paired with a marshall. So, I went to my local guitar store, and I bought a les paul, and some months later, my first 'stack', an ashdown. it was a bloody awefull amp, but it was all tube, and cheaper than the singlechannel marshall 1959 SLP stack that was there too. But, I wanted MARSHALL, so I traded that amp for a jcm800 2204 combo, which was later modified to be a 2203. that was the best amp I've EVER heard.

In my time of reconnaisance, I learned about the Darkness: only les pauls, marshalls and a mesa multichannel amp. I never cared much for the rectifier, but I did like the mark 4, so, I got that one.

The mark 4 was the first to go, though. I was too unexperienced to really appreciate that amp, and because I needed money, the marshall left the nest 2 years ago.

Time flew, and after having played through a line6 spider, I had the urge to buy a nice head. It became the Engl Special Edition.

It is a great amp, sounds great, many tones, but, it is not a JCM800, vox ac30, twin or mesa mark4, but it just sounds great!!


Nevertheless, I wanted a marshall again!

For playing at lower volumes, I had a blackstar HT5. It was okay. not great, but ok.

Until....

A friend of mine had a JMP combo for sale, a 100w, modified by one of THE best amp builders in the Netherlands, CMW amps. It was modded to have more gain, bit more headroom clean, bit more power, and a PPIMV. He wanted the blackstar, I wanted the marshall, so, we traded. He also had a headcase for the combo, and a plate to make the open back combo, an extra large 212 cab.

So...this is what I got!

P1280004.jpg


P1280005.jpg


In my opinion, its one of the prettiest amplifiers EVER concieved. in tone and looks ;)

But then I saw on the Dutch version of Craigslist an engl sovereign combo for dirt cheap. OH NICE! I have a special edition, and the sovy is a poor mans version of the SE. It was cheap enough to be used for other deals which would be even more expensive, so I bought it.

As i said, I wanted to use it to trade it for something, but what...?

3 weeks ago, I went to a store, and it had the mesa mark V. I tried it, loved it. I wanted it! The shop owner said: it will be your sovereign+1400 euro's. Unfortunately, the mk5 didn't sound as good on the second run as it did the first time. but the urge to have a mesa mark, was born again. I wanted the mark 4. I was positive about it. I tried one out, and searched for a cheap mk4.

Last saturday, I bought one, for the 1400 the shop owner wanted.

IMAG0229.jpg


IMAG0226.jpg


IMAG0227.jpg


But I still had that engl sovereign! It didn't really make any sense, because for the 'engl-tones' , I had my Special Edition!

Then I figured: I want something for clean, which can be pushed for warm crunch, and also something which resembles my marshall, but with a more vintage vibe... Oh, rivera! I always wanted to try it out, and I did! The knucklehead reverb at first. Oh no, thanks.... the low end was flabby, the mids too shrill and the highs, well...to shreeky! But what about that lovely, small chubster 55?

I started at the clean channel: smooth, warm, precise, with a lovely amount of reverb. I think that 'lush' is the only word good enough to describe it! The crunch channel: its like a 1959 SLP marshall! crunchy, kinda tight, but not too much, and its 'organic'! I liked that amp so much, I traded it with my engl sovereign :)

so, this is what my rig became:

IMAG0245.jpg


IMAG0253.jpg


IMAG0268.jpg


The only amps I really wish to have, are a vox ac30 and a fender twin. one day I bet I'll have them, but for the sparkly clean tones, I'll use my engl, for warm clean, the rivera or the mark 4.

That blue amp you see on the last pics, is a small custombuild, boutique amp. Its like Matchless, but only Dutch ;) its a combination of Marshall and Vox. the dynamics and harmonics of vox, with the agression and tightness of marshall.
 
Hook them all up to the same guitar at the same time, turn up the volume, and I'd hear you from Australia!  :headbang:  :headbang:  :o
 
Wana's made a guitar said:
Well, i'm envious. That's pretty much everything I want.  :laughing7:

:laughing7:

That sort of gear would 'finish off' my hearing. There's no way I could own gear like that & play it softly either. Unless I made major modifications to a room in my house where I could isolate them and not upset the neighbourhood, and protect what's left of my hearing, then it's a no-go area for me. Mind you, having said that, I am still lusting after a Marshall 50 w plexi (1987X) and have even looked at how hard it would be to make a speaker cabinet that would be much quieter, like the Demeter Isolation Cabinet....but I worry about the shaking floorboards being felt next door  :laughing7:.
 
I'll dig up my isolation box link. I plan on making one. There was info on keeping the floor from shaking too.
 
Volitions Advocate said:
I like it orpheo..  but you have to explain the smurfs
oh long story :D I've always liked the smurfs, but apparently I'm not the only one. The biggest supermarket-chain-store here had a deal a couple of years ago: for each 10 euro's you spend, you'd get one tiny small smurf, and for 15 euro's, you could get the pluche versions. They sold out in notime! thank god my sister worked there, and that she managed to get these 2.

Later, when I had my marshall there, my mum needed a spot to put them, and I made pics of the marshall, but I didn't notice those smurfs untill I posted them in another board and someone pointed them out.

Since them, these dolls have been standard equipment for picture-taking :)

ps: here's a bigger pic of the gear:

CIMG2841.jpg
]

CIMG2843.jpg


CIMG2846.jpg


CIMG2847.jpg


CIMG2848.jpg


CIMG2850.jpg


CIMG2852.jpg


CIMG2854.jpg


CIMG2855.jpg


CIMG2856.jpg


 
Max said:
I'll dig up my isolation box link. I plan on making one. There was info on keeping the floor from shaking too.

There's a couple of You Tube vids about similar boxes too Max.
 
Damn!! Quite a bit of kit in that room. Sorry, man, I'd rather stick a pencil in my eye and twist it around than play through an 800 series Marshall. I never could get a good tone out of one of those. Then again, I'm a heavier Dual Rectifier kind of guy.

But, you do have a really nice setup there. The only thing you need now is a better camera to do those guitars some justice. Those are all killer looking. Especially like the blue flame with the Warmoth head.

As for the Smurfs, don't sweat it, Buzz Lightyear is all over my room.
MULLY
 
mullyman said:
Damn!! Quite a bit of kit in that room. Sorry, man, I'd rather stick a pencil in my eye and twist it around than play through an 800 series Marshall. I never could get a good tone out of one of those. Then again, I'm a heavier Dual Rectifier kind of guy.

But, you do have a really nice setup there. The only thing you need now is a better camera to do those guitars some justice. Those are all killer looking. Especially like the blue flame with the Warmoth head.

As for the Smurfs, don't sweat it, Buzz Lightyear is all over my room.
MULLY

you really don't like jcm800's? did you know that recto's were based on the JCM800?

About the low quality pics: it wasn't my camera, but my sisters :P and it was, apparently still turned on the macro-mode, and I didn't notice the low quality until I uploaded the photos on my computer ;) :P

The blue flame is indeed k!ller :P I really love the feel and tone. its literally capable of everything I like ;) but thats inherent to all my guitars, haha.

About the JCM800: I do love that amp. I had one, then another, sold both, but missed 'my' tone. I tried the reissues, cause the real oldies here, skyrocket in price, unbelievable. The old ones did sound better than the new ones. Then one day a friend of mine had this one for sale, and he wanted my blackstar HT5C, I wanted his marshall, so we swapped amps. Never been happier with a trade than this time around. Oh and ofcourse the trade(off) with my engl sovereign and the rivera ;)
 
Orpheo said:
you really don't like jcm800's? did you know that recto's were based on the JCM800?

Yeah, they had an 800 at the studio I used to practice at and I never could get a good sound out of it. As for the rectos being based on the 800......they veered pretty far away from the base. hehe!! Only Marshall I ever really liked was a buddie's DSL100 when the fat switch, or whatever it's called, was on. The only other amps I've ever owned personally are Rectifiers and I had a 5150II. I'm not counting my Fender Blues Jr. because I only use that for jam sessions. hehe!!

But I still think you have a killer set up there, man. I'd give rep points if we had them.
MULLY
 
re: the JCM800s - Tube-based amps are a lot like guitars. Grab 10 of the same thing, and no two will sound the same, and one will be magical. There's simply too much slop in the design and build. All the resistors, capacitors, tubes, transformers, etc. will have specification tolerances that are rarely as close as 5%, and often as wide as 20%, with temperature affecting some of them. Depending on luck and how the tolerances add/subtract from each other, one will sound like a bag of angry cats while another is heaven on earth. Not to mention the other 7,892 variables that are often ignored like what kind of speakers in what kind of cabinet in what size room and what kind of guitar and who's playing and on and on.

I used to have a JCM900 that was a "heaven on earth" miracle. Few people liked them when they came out and they got a bad rap for years, but I had one that anyone who heard it couldn't believe was a JCM900. "Whadja modify?" they'd ask. "Nothin'." I'd tell them. "LIAR!" they'd say. "Seriously!" I'd reply. "It was just born that way!" <grin>
 
Back
Top