vernschrock
Junior Member
- Messages
- 141
He’s the founder/guitarist of A Perfect Circle. Before that, he was guitar tech for a whole host of bands; most notably Faith No More, Nine Inch Nails (which is where his number 1 Les Paul comes from, after the headstock got damaged from being thrown into the crowd at a concert, and he glued it back together), and Tool (he met Maynard during this time, who would eventually sing for APC).I don't know the video or the player.
Plenty of players who play in standard tuning play with shapes and patterns of scales and chords as a reference point and cannot tell you the name of every note on the fretboard or in a chord or scale.
So, if someone has learnt the fretboard (if only partially) in standard tuning and is someone who tends to think in shapes and patterns. And then that player plays in a different tuning, those shapes, and patterns in standard are still probably being used as a frame of reference rather than the actual names of the notes themselves or the sounds of them.
I get what you’re saying with people that use a few chords and patterns here and there as reference points.
But Billy doesn’t seem to be a pattern-based player. The riffs he comes up with are so far from standard box patterns. That’s why I like his playing in the first place. It’s highly inventive and not what you would consider typical.
So that’s why it’s baffling to me. Because he is such a great player, and his riffs are so out of the ordinary. It’s clear he didn’t just rework a few Jimmy Page or AC/DC riffs, and call it a day. Not that I like everything he's done. I suppose I'm way too arrogant and opinionated for that. I love the first two APC albums, but I think Eat The Elephant is absolutely horrible.
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