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India Ink

Bagman67 said:
I think I've fixed it.

Yes. It looks great.

I have an ash tele still in the box to finish. I am planning a natural finish but this is food for thought in the future.
 
Just to set the record straight, that guitar body was the mechanism for my learning a lot of stuff and it never actually got put into service, since the final lessons it taught me involved completely cheesing up the screw extractions when I broke 2 of them off when installing the bridge.  At that point I just chucked it.  I figured I had paid my 80 bucks for an off brand body specifically so that if I blew it every which way, I could afford to walk away.  Much learning there, but not much useful outcome on the build itself. 


The India ink idea was itself an attempt to come up with a wholly different effect, but it came out good for the high-contrast grain effect under the dye.
 
I like simple things that work really, really well.  :occasion14:

I have a huge (probably similar size) bottle of brown Chinese calligraphy ink. MMMMMMM... I lived in that (fountain pen) world for quite some time, and I know about mixing inks, you can add the shellac, some gum arabic, all sorts of fine-tuning available. At one point I was thinking about putting a red dye on my walnut Jaguar/Warheaded 24-fret slide monster. I didn't have dye, but I had fountain pen ink - aniline - which is so close to wood dye and Rit & easter-egg dyes it hardly matters!
 
Bagman67 said:
For another application -  I had good luck using india ink on an ash body and sanding way way back so the grain would be really, truly black, and then I dyed the sanded-back body orange.  I think you'll agree the high-contrast grain looks good

Thats how this happened...
Burnished through the ink after applying the first top coat of tru oil while wetsanding, and for some reason could NOT get it to retake, but I was also using Sumi-e, which is water base not shellac based like india ink.


WP_20131105_001.jpg
 
Wouldn't it be nice if I'll finishing accidents were that good looking
 
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