Cagey said:For instance, like many guitar players I'm tempted to think that playing bass is puppy chow. So, get a bass and piss on those guys, right?. Or, get a 12 string. What could be so hard about playing one of those? Or, alternate tunings... alternate scale lengths... on and on. What you find out is that it's not as easy as it would seem.
Super Turbo Deluxe Custom said:I used to be in the same boat, thinking playing guitar automatically made me a bass player to. I would argue you play more with the drummer and less with the guitar player. Guitar licks don't always translate to bass. Afterall, the goal is to sound like a bass player, and not a guitar player playing bass.
Cagey said:Anybody who doesn't follow the drummer is on a fool's errand, I don't care what instrument you play. Drummer sets the beat. Move off that to your own peril.
Cagey said:I'm not trying to discourage playing different instruments - all I'm saying is that there are those who specialize in different areas and to try and do what others do may be either pointless, counter-productive or less than ideal.
For instance, you wouldn't ask Joe Satriani to play Michael Anthony's bass parts for Van Halen, and you wouldn't ask Michael Anthony to play Al DiMeola's guitar parts, and you wouldn't ask Jean Luc-Ponty to play Ritchie Blackmore's parts in Deep Purple, on and on. They're all superb professionals who at the top of their game have no equal, so why not? Well, because it's not their thing. I'm sure any one of them is perfectly capable of changing instruments, but it wouldn't be ideal. They're exceptionally good at what they do, and wouldn't be if taken out of their element.
pabloman said:Cagey said:I'm not trying to discourage playing different instruments - all I'm saying is that there are those who specialize in different areas and to try and do what others do may be either pointless, counter-productive or less than ideal.
For instance, you wouldn't ask Joe Satriani to play Michael Anthony's bass parts for Van Halen, and you wouldn't ask Michael Anthony to play Al DiMeola's guitar parts, and you wouldn't ask Jean Luc-Ponty to play Ritchie Blackmore's parts in Deep Purple, on and on. They're all superb professionals who at the top of their game have no equal, so why not? Well, because it's not their thing. I'm sure any one of them is perfectly capable of changing instruments, but it wouldn't be ideal. They're exceptionally good at what they do, and wouldn't be if taken out of their element.
With this logic, again, why even bother picking up a guitar in the first place? There are so many more people out there that do it better than you or I. Why not just let them do it then? I know when I started playing guitar it was to emulate what I heard on those classic cuts. Quickly I realized I didn't have the chops yet. What I was developing was a decent understanding of my instrument and a solid direction of what I wanted to do with it. I began to play what was in my head and not what was on a CD. I imagine this is a fairly common transformation that almost every musician has made. So what does it matter if its on a traditional 6 string electric guitar or a refreshing deviation? I never picked up the guitar to be the best. I picked it up because it was the best way to express myself. I think the above mentioned philosophy demonstrates the difference between a guitar player and a musician or an artist.
mullyman said:Feel free to correct me if I'm wrong, but, the way I read Cagey's comments was more like "if you're a guitarist and you're wanting to buy a bass for recording sessions, as an example, then you're probably better off letting a real bassist take care of it." I can't really disagree with that train of thought. Sure, I could grab a bass and fill in for someone if I had to, but I'm not planning on mastering it so buying a Stingray would just be a waste of money for me.
MULLY
although I still want a Stingray :headbang1: