Rick said:
Orpheo,
I'm curious what's your favorite switch set up on your three humbucker guitars? I'm guessing you have some coil splits, but am wondering. Also, do you have favorite three humbucker set?
Yes I have a favorite way of wiring a 3 pup LP. It's either with a master volume and master tone plus a 5 way (B, B+M, B+N, M+N, N), or something totally different.
The 'other' wiring I use, has the same switch options, but with 2 sets of volume/tone controls. They assign themselves to whatever pickup is selected: top set goes to the pickup that's engaged closest to the neck, bottom set engages set pickup that closest to the bridge. To say it differently: the bridge and neck pickups have the usual controls, as on a regular LP, but if the middle pickup is engaged, it gets the 'other' pot set that's not in use at that moment. One push pull pot to split the coils of the humbuckers, the middle is a custom-designed p90 (only the bobbin is p90: it's designed for maximum clarity, chime and sparkle, to work in those cleaner tones).
A third
humbucker in the middle is not really that useful unless you only use it as two individual coils (so you have to choose a right pickup for that middle spot). But since I can pick whatever I want, I tend to not use a humbucker. It just makes things more difficult down the line.
I surely can use a 5 way with an auto-coilsplit but then I loose the automatic assignment of pots and I kinda like that (I need 4 poles for that to make that work: really, I tried everything).
As for my favorite pickups: YES I do have a few favorite sets. AxesRUs from the UK is one of my favorite pickup makers, and I love all of his pickups. The most allround set he makes is the Model24 bridge + kneejerk in the neck (I believe that pickup is either discontinued or renamed recently).
If we're talking known brands: I never gel with BKP, don't like 'm. Dimarzio is not my thing, I don't like their recurring base tone on which their pickups are built upon. I am a Seymour Duncan fan, if we're talking big brands, all the way, but almost never their main pickups. I always use two pickups to make a hybrid out of those.
My recent favorite Duncan (Hybrids) in bridge position:
SH6N (Distortion Neck) + Screaming Demon (thick ceramic and alnico 5)
Parallel axis 1 & 2 hybrid (alnico 5!)
JB/Fullshred Hybrid (alnico 5!)
Pearly Gates/Custom hybrid (alnico 2 and alnico 5)
Seth Lover/Pearly Gates (alnico 2)
Custom/Pegasus (ceramic and alnico5)
Seth Lover
JB (yes, the simple, classic JB is one of my favorites: in the right guitar the JB is so, so good)
Custom Alnico 3 (not a standard pickup but MAN that pickup is good)
My recent favorite Duncan (Hybrids) in neck position:
Seth(neck)/59(neck) Alnico 2
Seth (bridge)/59(bridge) alnico 4
59n/JazzN (alnico 2, 3, 4, 5; doesn't matter, all is amazing in their own rights)
59B/JazzB (Alnico 5)
Sentient/JazzN (alnico 5).
Using two different bobbins like that opens up the tone tremendously. Even if the wire gauge is the same, my hybrids are almost always using different insulations or are wound to a different wind count. That way you have less cancellation but more... tone. It's more open, more dynamic, better harmonic content...