There's certainly nothing wrong with PRS in the finish department, and Carvin can bang out some beauts and, even, Gibson. They've seemingly dedicated themselves to duplicating every possible variant of how a cherry sunburst can fade & warp. I don't understrand how, but supposedly even a "tobacco burst" started as cherry?!? :icon_scratch: I'm quite sure that if you visited the Warmoth paint shop, you'll find a tidy little stack of O.P.'s catalogs and advertisements. Nothing wrong with it... when I first saw Warmoth's faded blue jean color, it was just like the PRS that John McLaughlin was playing. And until Al DiMeola got his signature (ugly, overblown!) "rainbow" type finish, for a while he was playing a PRS faded "green jeans" color that riffed off of the bluejeans. And the first PRS fades got darker towards the butt end, and so did Warmoth's. Now PRS has got it right, they're getting lighter towards the bottom....
How many fades does paintboy have to squirt, before he is said to be squirt'd?*
For pretty cheap, I bought a really nice guitar-porn book called "Electrified: The Art of the Contemporary Electric Guitar" by Robert Shaw. It's got some in-depth interviews with some hotshots, but it's mostly the pictures - lush, voluptuous babeland deluxe! :hello2: It's got two of my faves, William Jeffry Jones -
http://divine-jones.com/dragonwing.html
- and Peter Malinoski - him not so much for shapes, as for ideas. Tons of 'em there, if that has any bearing. Book is around $25 or a bit less? Hey, maybe I should lobby Warmoth to sell it in their (often overlooked) book section. For sure, you'd wanna keep it out of the hands of Kuru and the Grape Ape... I hear those divorce bells a-ringing!
*(sung to the tune of "Rocky Mountain Way" - maybe** works better if you're drunk)
ccasion14:
**(make that Shirley***.... :toothy12
***(Shirley works better - when she's drunk too! :laughing3
P.S. Don't read any of Stubhead's posts.
Best advice I've heard all day...