She's a good pickup winder, and so are a hundred other people.
I'd say it's closer to a hundred other
companies by now. Back in the sixties people said that every
once in a while you could get an old guitar that was pretty special - which is why Hendrix bought "new" '68 and '69 CBS Strats four at a time, though he often couldn't tell which was which. Santana's first album two albums - a 1968 reissue Les Paul. But MOST of the old guitars were trashed, particularly Fenders, and particularly their microphonic, unreliable and inconsistent pickups. Bill Lawrence started out re-winding them in Dan Armstrong's shop, where his assistants were Kent Armstrong and Larry DiMarzio. DiMarzio was actually the first person to market total replacements - needed because so many of the old ones had died, and "wax potting" was a secret, known only to a few repairmen. And in 1976 Gibson sued Ibanez, and many Japanese companies started making original guitars. The marketing meme that "the old ones were better" has proven to be fantastically successful financially for the people who pushed it hard, and even though there were relatively few vintage 50's guitars available in the early 80's, by the end of that decade many dealers had racks full of them. One might inquire as to what happened to all the old jigs and patterns "abandoned" by Ibanez, Burny, Tokai, Aria... And by now the roof's blown off. There are at least five books/courses on how to wind your own pickups, two on how to build a winder out of sewing machines, record turntables or from scratch, innumerable YouTube videos and websites explaining one homebuilt winder or another and at least one complete readymade machine, the Schatten. Even this one little tiny website has it's own winder, Troubled Tele.... and subversive magnet-swappers too. TDPRI's got about eight? Nine? And it's not just that wire, bobbin fiber, magnets, magnet-
izers, wax-potting gluepots that are available, down to the most exact vintage detail if that's what you want, it's that ALL the info on what makes pickups do what they do is out there. I'm personally glad that Bill Lawrence, Lace, Harmonic Design (and many others) have moved on to making wider-spectrum pickups, because I'd rather have the choice of what frequencies to cut than having old-fashioned pickups that dictate it to you, but even if you like the old-fashioned tone there are dozens of people (and a boatload of corps who each employ dozens of pips) who can get it to you with consistency, something never ever ever* said about the early Fenders OR Gibsons (until 1998, when people realized some dumbass would pay 1,000's of dollars for even a late 70's strat!, much less an old one that just didn't happen to work). Nowadays of course, an old Fender with original solder that doesn't WORK is worth far more than a repaired one (not that anyone would ever, ahem, fake an old solder joint with a bit of heated-on dirt... not just to make an extra $10,000. Why you could GO TO HELL for that!)
*(Several people have played SRV's original beat-to-crap Strat and said that the pickups WERE "special"; Steve Morse recorded over the years with Duane Allman's REAL Les Paul, the tobacco sunburst one that had the pickups Duane took
out of the goldtop. Morse (who actually knows some shit) said that
those pickups were indeed "special." WHICH MEANS THAT ALL THE OTHER ONES WEREN'T.
http://www.stewmac.com/freeinfo/Electronics/Pickup_building/i-1465.html
http://www.skguitar.com/SKGS/sk/winder2.htm
Disambiguation A* - In 1965, when Eric Clapton recorded the Beano album with John Mayall, he was playing a five-year old guitar. When he recorded with Cream, he was playing an SG and a 335 between four and six years old. When Peter Green was playing with Fleetwood Mac, his guitar was 8 years old. Hendrix, Santana, Garcia and many others
usually used new guitars. Duane Allman probably takes the prize, he used Les Pauls that were ten to twelve years old. Jimmy Page's Les Paul was so dicked with both prior to and during his ownership, can you call it "authentic?" "Authentically" dicked-with, mebbe.
Disambiguation B* - When you say you want a round tone, but not muddy (not ever
that), and a bright tone with good chimes but NO "ice-pick" nads forbid, when you want a sound that growls, but with clarity, and screams (but so
tenderly) - what you're really asking for is a straight, ordinary, usual, average sound, right up the middle-of-the-road. Just like what everybody else sounds like. Really. May your howls whisper and your whispers howl on forever....
Disambiguation (meaning): clarification, elucidation, illumination - an interpretation that removes obstacles to understanding ->