mayfly said:
Hi Folks,
For our last two albums, we used a CD reproduction house. We got full graphics, barcodes, and 1000 CDs in each run.
For our new album, we want to keep it much lower key and DIY. We want to just rip and label the CDs ourselves in small batches on an as-needed basis.
Anyone out there do this? What method did you use? I'm looking at the various "CD Stomper" products that are out there, and I'm looking for folks with experience doing this.
Thanks!
Have been doing same since 2002.
My Method:
Art Work:
All finalized in PhotoShop using pretty large files and high resolution.
Often 3000px ( or more ) wide and at least 300 dpi ... sometimes 360 dpi ... sometime 600 dpi.
examples:
Trudy Holler
http://trudyholler.com/cd/cd_images.html ( design in PhotoShop by Trudy and photos by me and someone else )
Me:
http://sightsea.com/music/demo_reel_cd_art/ ( design done in Blender and PhotoShop )
http://sightsea.com/music/sven/spheres.asp ( design done in Blender and PhotoShop )
http://sightsea.com/music/ambient/ambient.asp ( design done in TieraZon and PhotoShop )
I've also done a few small projects for others but can't lay my browser on any examples.
I use Neato glossy CD Circles and since about 2006 have been using Mitsubishi dual sided semi-gloss paper for liners.
I also use ( or better to say ... started with and have since motified many times ) the Neato templates for Photoshop for cd booklets.
Depending on what cases I'm using the size changes a bit.
The Mitsubishi paper is very nice and probably still one of the only in not THE only dual sided semi-gloss available.
The earlier stuff ... Trudy Holler in 2002 ... the booklet was printed on heavy weight matt paper.
Nice look, nice results visually, but that paper sucks up a lot of ink.
The Mitsubishi paper needs less ink to look really good.
I been using an Epson Stylus-Photo 960 printer since 2002 and always get excellent results.
CD master:
1) Finalize mix and mastering on all tracks ( Sonar and or Sound Forge ) and then bring them into CD Architect.
2) Set the dithering plugin to dither 24 bit down to 16 bit and also limit the maximum peak to -0.01 dB.
3) Burn a few masters with CD Architect at a very
slow speed.
4) Use one master to do a CD Copy in Nero, and choose to NOT delete the image that it creates when making that copy.
Duplication:
I have 5 PCs on my music netwok here in the studio and they all have DVD/CD burners so I get a stack of blanks and walk around
the room loading them all up.
I use pcAnywhere to access the other 4 PCs from this main workstation ( my comfortable chair )
launching Nero on the 4 other PCs and also I launch it on this PC.
I point Nero ( on all machines ... point them across the network ) to use the 1 image file for duplication,
and usually choose 5 to 10 copies for each machine, and burn at highest possible speed.
Then all I have to do is watch for trays to pop open and pull out the CD(s) and put new ones in.
I use an empty cake box ( the kind from a 100 stack of CDs ) to collect the burned ones.
While they're burning I'll be putting liners in cases and making a pile.
I let the CDs cool down and then stick on the circle using a regular old stomper and pop it in a case.
Shrink wrap with a small shrink wrapper that I bout. Works great.
I can easily crank out 50 finished Cds.
I will only use and highly recommend Taiyo Yuden CDs.
http://www.newegg.com/Product/Product.aspx?Item=N82E16817172103
For bar codes ... CDBaby will sell you 1 bar code for a tiny fraction of what you could pay else where.
Well ... that's my routene and everyones is going to be different. It took years to get it down to the method I'm using now
so be patient and try things if you have the time and figure out what works for you.