a couple things you must know before you start shaving away at your neck:
* Trussrod *
- what kind is it (dual action in a channel parallel to the bottom face of the fretboard, or arched rod like a vintage Fender)?
- how much wood is there between the bottom of the channel and the back of the neck
- what is the minimum thickness this type of trussrod requires to safely operate
* Reinforcement bars *
- does the neck have them
- where are they located
- how deep are they
once you absolutely know these things then you can begin to assess if your neck can be modified to your liking, or if the internal structure will prohibit you from making your preferred modifications. if you have room to make the mods, continue ...
you'll need a few tools:
- contour gauge (can be anything from stiff paper to a dedicate contour gauge pin tool)
- dial calipers
- spokeshave
- sharp wood rasp
- sanding board
- various grits of snadpaper
- long straight edge
- cabinet scraper (and associated sharpening tools)
let me say that hand carving a neck contour is one of the most satisfying parts of building an instrument from rough materials. and let me say that one small careless act (or more correctly - too much ambition for your woodworking skill level) can turn your valuable neck into a significantly less valuable burnable. practice your carving on scrap wood until you have a solid feel for properly using the tools you need to work this endeavour.
it is also best to have a neck that you want to duplicate close by. with this you can measure the contour at key fret locations so you know you're morphing the rear contour into something playable and not something worthy of a low budget Frakenstein movie
proceed slowly and plan to take the wood off in super thin (almost transparent) whisps with each stroke of your spokeshave and cabinet scraper. use the straight edge to ensure a uniform taper that is not plagued by low spots in the middle of the neck (where it's easiest to double sand/scrape/scalp)
all the best,
R