For my custom semi-hollow, I was thinking a strat-style trem for a while, eventually decided on tremking. However, I've recently noticed that I tend to lean on the tune-o-matic on my ibanez quite a bit. I've always wanted to see what I could do with a bigsby, so I may end up with a graphtech saddle TOM and perhaps a bigsby b5.
In making this consideration, I've come up with a lot of wild ideas, so I figured I'd through them out here just for the pure joy of it. I want to try regular string-through holes at the same time as the bigsby. It could be interesting stringing some strings through the body and others into the trem. Especially with heavy distortion/drive, a drone and a flutter could sound pretty nasty.
Also, I've been wondering about the possibility of heavily modifying the bigsby by fitting it with a much thicker string bar. On top of that, I may experiment with gear ratios on the arm itself and see where it takes me. Having the look of a bigsby along with extended range would be worth it, I think.
One more down to earth question would be about scale length. I'm led to believe that a shorter scale lends itself to slightly looser strings. It's probably just a question of feel, but would this actually allow more upbend capacity? If the strings are a bit looser to begin with, perhaps the threshold for tightening them is greater?
In making this consideration, I've come up with a lot of wild ideas, so I figured I'd through them out here just for the pure joy of it. I want to try regular string-through holes at the same time as the bigsby. It could be interesting stringing some strings through the body and others into the trem. Especially with heavy distortion/drive, a drone and a flutter could sound pretty nasty.
Also, I've been wondering about the possibility of heavily modifying the bigsby by fitting it with a much thicker string bar. On top of that, I may experiment with gear ratios on the arm itself and see where it takes me. Having the look of a bigsby along with extended range would be worth it, I think.
One more down to earth question would be about scale length. I'm led to believe that a shorter scale lends itself to slightly looser strings. It's probably just a question of feel, but would this actually allow more upbend capacity? If the strings are a bit looser to begin with, perhaps the threshold for tightening them is greater?