If you were to leave out aesthetics and/or weight preferences, what would you consider the most musical and solid sounding wood choice for either/both the guitar bodies and necks?
Since this is what I am building I am going to say Alder body (one piece) and a roasted maple neck with an ebony fretboard. But I might be biased :laughing7:
Have heard the same for Alder, although very interested if roasted necks create an audible difference.
Aside from Ebony, I always go for full maple necks. Are flame, birdeye, quarter sewn maple, pretty much the same sound when used in a guitar body and/or neck? I usually select flame maple and would like to know if anyone has an opinion there is a real difference in sound?
If you were to leave out aesthetics and/or weight preferences, what would you consider the most musical and solid sounding wood choice for either/both the guitar bodies and necks?
The question is absolutely meaningless, because of the extreme degree of subjectivity. Everyone has a different preference, and there is no "best." It's like asking what the best genre of music is. What kind of answer could be given that would be useful in any context?
Classic Rock and R&B between about '65 through 1980ish? :guitarplayer2:
Point well taken - although opinions still very welcomed. Never a right or wrong answer.
Thanks again!
There isn't a definitive answer as its all subjective and down to taste.
Classic rock and R & B has been recorded with Teles, Strats, LPs, SGs, etc and with mahogany, ash, alder, rosewood, ebony, maple being the most common. Then what about the 335 and Byrdlands, Gretsches and so on.
Then add a combination of mics, speakers, recording consoles and effects.
I agree.
Get the wood that looks the most attractive to you within your budget. Then, get the pickups & bridge that produce the tone you like. Plug it into an amp that sounds the way you like. Don't rely on wood type when it comes to the tone of electric guitars. Save that for acoustic guitars.
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