Regarding t00b amps and speakers - the general rule of thumb is an upwards mismatch is "ok" (no guarantees):
8ohm amp -> 16ohm amp
But a downwards mismatch:
16ohm amp -> 8ohm amp
is a
big no-no.
Optimal is of course a perfect match.
This above info, in general, has nothing to do with the typical attenuators found on the market today
in terms of damaging your OT with a mismatched load. Read further as to "why?" -
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Now, with this in mind, there's confusion when one purchases an attenuator. THD HotPlates, for
example, come in a variety of Ohm ratings.. and those not in the know assume that you cannot
run a 16ohm head to an 8 ohm HotPlate - not true.
Again, from the horse's mouth - to quote Ed DeGenaro
on a question I asked him years ago on the Plexi Palace BBS:
http://www.unofficialwarmoth.com/index.php?topic=7610.0
posted June 20, 2002 08:44 AM
Here's the deal...a matched impedance IMO always sounds better.
The Hotplate you'd want for both 8 ohm cabs is a 4 ohm model. BUT, you can use the 8 ohm model with them, just make sure to set the amps impednce to 4 ohm when using both cabs.
The 8 ohm Hotplate won't be as efficient as the 4 ohm in this application. Since we do compensate for the Fletcher-Munson curve the boost switches frequency peaks will be a bit off. But it's still better than any other option unless we're talking matched load.
That said, I've been using a 16 ohm Hotplate since years on all my 8 and 16 ohm loads myself.
Ed DeGenaro
Product Development & Support
THD Electronics, Ltd.
I myself have never futzed (nor heard of) with the Bitmo doo-jabby. I just checked it out
and it appears to have the same features as a HotPlate, but I'm not about to make
assumptions.
So, the question here is - is the Bitmo 10-ulator designed like the HotPlate (reactive load)?
In the case of the HotPlate, a matching sounds best because the
tone network
(bright/deep switches) is designed around it...
not because the load isn't mismatched
(and therefore would cause your OT to fry) - i.e. it's completely safe to use mismatched...
take note however that in Ed's examples, even though he's using a "mismatched"
attenuator, he's still making sure the amp head and speakers are matched.
When in doubt, stick to the basics - and keep things matched. Don't deviate from
that unless you know
exactly what you're doing and the gear you're using.