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2nd tone pot on a strat

mwbjr13

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I'm working on an HSS strat and I don't know what to do with the second tone pot. Im going to use the first tone pot on the two singles and bypass the tone on the bridge. I really don't want to omit the pot mainly for visual reasons but I also would like to find something creative to do with it. Any suggestions?

Thanks
 
Yeah, for a n00b like me the only useful part is at the bottom of the post, where the article discusses applications.

 
mwbjr13 said:
Will that work with passive pickups?

Doesn't make any difference one way or the other. Capacitors and resistors do the same thing regardless of the nature of the impedance of the input signal. You will need to choose the appropriate value to get the desired effect, however. For a high impedance pickup, typically a value like 0.0047uF is used for bass-cuts. This is an order of magnitude less that what you would use for a standard tone control. The value of the pot will need to be high enough so as not to allow too much signal through at the full-cut setting, but low enough that the range of control remains usable. G&L uses 1M pots on their basses.
 
swarfrat said:
Mid boost. I love my SPC

By adding an inductor in series with the capacitor on a standard tone control (*capacitance adjusted accordingly), you can do a bandstop filter to cut mids. The concern, of course, is the volume loss. Boosting mids is not easy in a passive circuit, however, as it requires stealing energy from other frequencies. To boost any frequency band while the rest of the signal remains untouched, active equalization is usually the only option.
 
I think he meant the EMG SPC that I mentioned. EMG says no. I'd need to look to see how its actually configured. There are other boosters/mid boosts around though.
 
I was talking about the EMG SPC because I've looked at it before and thought it said it didn't work with passives.
 
mwbjr13 said:
I was talking about the EMG SPC because I've looked at it before and thought it said it didn't work with passives.

In that case, compatibility is determined by two factors. Input impedance, and any special input stage characteristics that are meant to work with a particular impedance of a coil. The latter is rare, and would only apply to using buffered or low impedance coils with an input stage engineered to see a high impedance coil. The former is easy to determine, if you can find a spec sheet on the device in question. The typical input impedance spec for gear used with high impedance pickups is 1M Ohms. (Much higher input impedances are required to avoid loading with piezo elements, but these input impedances increase thermal noise with lower impedance signals.) I have seen some EMG products that claim a 500k Ohms input impedance. This is certainly fine for buffered (active) and low impedance pickups, but with standard high impedance pickups, it simply means there is a bit more loading against the coils. If this is the case, keep your volume pot value a little higher, unless you like a darker tone.
 
There was an Eric Clapton strat that had an active mid boost on it. More powerful than the SPC, and that was in an otherwise passive system. Could be worth looking into. A mid boosted neck single coil pickup is a nice sound.
 
GFS sells a couple modules that could be interesting in there.
 
Has anyone here tried a Deaf Eddie Switch?

http://www.deaf-eddie.net/switches.html

mwbjr13 said:
I'm working on an HSS strat and I don't know what to do with the second tone pot. Im going to use the first tone pot on the two singles and bypass the tone on the bridge. I really don't want to omit the pot mainly for visual reasons but I also would like to find something creative to do with it. Any suggestions?

Thanks
 
greywolf said:
I used a blend pot on mine , allows nck and bridge blend .. very handy

The issue with blend pots is the additional resistive loading in the circuit, the insertion loss at the center detent, and blending irregularities between pickups of dissimilar output impedances. Does not seem like a good idea in a SSH setup.

Of course, it is becoming common to leave the grounds off of blend pots, such to only introduce a resistance in series with either pickup. This eliminates the resistive loading issue, and tends to help the pickups blend more smoothly, but there will still be insertion loss and dissimilar impedances being mixed.
 
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