I just watched a quick clip of him playing it live, sure seems like he hammers it! But who knows how much of that is actually making it through the mixer. Could be hamming it up in both instances.
I agree, pick a PAF and go for it.
If you want to do something off the beaten path but still with a nod to Fender history, a trans red finish over mahogany was used on some rare Teles back in the early 60s, also with rosewood fretboards. Of course those ingredients are also proper Gibsonish...
If it were simply testing, I’d do something like these:
The whole point being ultra quick swaps to some QD solderless type connectors at the jack. I’d want to be able to A/B quickly, possibly with a scope, before jumping into the DAW for a more detailed analysis… cause at the end of the day...
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