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New video today! Interested to hear what y'all have to say.
My favorite comment on YouTube so far is this one:
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Uranus Oyster
Aaron, it is extremely disappointing coming from you and Warmoth, that wood "maybe" matters, and "maybe" it's a feeling, when wood clearly matters a lot. Because of all the crap guitar influencers on youtube, who can barely play and can't write a song, and all the guitarist wannabees that watch them who think they are guitarists or musicians just because they own a guitar, and because of youtube "scientists" that make videos to show that wood does not matter, but you can clearly hear the differences in their videos in which they swear they sound the same. Guess what folks, not everyone can hear everything, so if you can't hear it does not mean it's not there... So Aaron, very disappointed that you and Warmoth went with the mob sheep mentality when you know better. Screenshoted this just to measure how fast you're gonna take this down to keep your channel nice and cozy...
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I thought I concluded that one's perception actually makes these types of things matter more, but oh well. It seems I at least got the first minute or so right....
Apart from nitro, obviously.Nice video as always. I'm always surprised at how I sound when I listen to a recording of myself playing. It is indeed like when you hear your own voice on tape.
This is why I wish the shootout videos had some amount of quantitation - like simply strumming a chord and looking at frequency response curves to see if there really is an objective difference. Might also be interesting to have more than one person do the same shootout and see if the results differ. Hands really are the most important part of tone.
I thought I concluded that one's perception actually makes these types of things matter more, but oh well. It seems I at least got the first minute or so right....
This is why time and again I recommend rubbing a newly acquired guitar on your face! It really gives it that bit of extra!
Yes, in a way, but I think his deeper point is spot on. There can be a substantial difference between sensation (the physiological detection of incoming stimuli) and perception (the psychological experience after processing in various parts of the brain). The same sound waves can enter my ears and yours, yet our experience of that sound can be quite different (even if we each have "normal" hearing, no hearing loss) for a variety of reasons (e.g., our differing beliefs, memories, or expectations). Those who want to plot audiograms to test for tone differences aren't being unreasonable, they're just focused on purely on sensation, not perception. They ignore not only that perception can differ from sensation within the realm of hearing, but also that there are tactile elements that feed into perceptions of "tone", too--what the player is feeling while handling the guitar helps to shape the experience. I think Aaron explained all of this well.Looks like it took around 7 minutes to say "The customers are all absolutely right about this".
PS. Nigel's guitar would sustain all day, you could go have lunch and come back to still hear it ringing out. Didn't you hear it, too? Well you would have, if he'd been playing it.Yes, in a way, but I think his deeper point is spot on. There can be a substantial difference between sensation (the physiological detection of incoming stimuli) and perception (the psychological experience after processing in various parts of the brain). The same sound waves can enter my ears and yours, yet our experience of that sound can be quite different (even if we each have "normal" hearing, no hearing loss) for a variety of reasons (e.g., our differing beliefs, memories, or expectations). Those who want to plot audiograms to test for tone differences aren't being unreasonable, they're just focused on purely on sensation, not perception. They ignore not only that perception can differ from sensation within the realm of hearing, but also that there are tactile elements that feed into perceptions of "tone", too--what the player is feeling while handling the guitar helps to shape the experience. I think Aaron explained all of this well.
Yeah, I just love all the "experts" in the YouTube comment section who think they have some sort of supernatural hearing and can hear frequencies "produced" by various wood species that no one else can hear, when really they're just repeating the same
mythology they read in guitar magazines (and later the Internet) that they were indoctrinated with.