Steve_Karl
Hero Member
- Messages
- 1,678
2 string changes ago I set the intonations and found that the Low E was all the way back with no more room to go.
Using a Peterson VS-1.
Between that (2 ago) change and the one before I did a fine tuning of the nut slots, and the low E and the A got the most attention.
All of the others are low enough that I dare not touch them again and the Low E and the A are getting really close, but I take baby steps,
like one gentle pull of the file every few weeks when I get in the mood.
So back to the intonation issue ...
I almost got the low E saddle perfectly where it should be but ran out of adjustment so it was still a very tiny bit sharp.
The screw just wouldn't turn any more and it locked the saddle tight against the screw pillar that it slides on.
I sighted the neck to see the amount of relief. Yea, a bit much but I kinda like it feeling warm and gummy. It was probably at about .02"
but that's just a rough guess after putting the .010" in there and seeing all the extra room.
I'd have left it there except for the inability to get the low E intonated.
Also, the Vs-100 parallel to the body had always been a tiny bit raised in the back, but it's comes back in tune after some brutal wanging so I'd not want to have to tighten the springs any farther.
So, last night I braced up the back of the VS-100 with a piece of thick leather belt, cut the strings off and also had a good look at why the saddle wouldn't move any further. It just ran out of room, The height adjustment screws were all the back to the end of the slots that guide them, and also it was pressing against the center screw pole. I had to back off the intonation adjustment screw to get it to release from the bridge.
OK so I guess I know what's going on. Probably the combination of the excessive relief and cutting the nut slot down got me there.
So I took the neck off and tightened about 1/4 turn.
Restrung with Ernie Ball 10s.
Did the stretching trick of tuning up one string 3, 4 or 5 semi-tones at a time and leaving it there for 5 minutes.
When done ... Tuned everything again played it for a while.
Yea, it's nice. It's a bit more accurate across the whole neck I guess, slightly lower action which I can raise when / if I feel like it.
Then I checked the intonation on the low E this morning and yes ... it's reading flat now so I can move the saddle back towards the nut.
So this makes me wonder, since I'm getting close to an other build ...
... are there are any other floating knife edge trems ( where's the NO FLOYD emoji ?!?!? ) out there that are designed just like the VS-100 but have more travel in the saddle adjustment?
Using a Peterson VS-1.
Between that (2 ago) change and the one before I did a fine tuning of the nut slots, and the low E and the A got the most attention.
All of the others are low enough that I dare not touch them again and the Low E and the A are getting really close, but I take baby steps,
like one gentle pull of the file every few weeks when I get in the mood.
So back to the intonation issue ...
I almost got the low E saddle perfectly where it should be but ran out of adjustment so it was still a very tiny bit sharp.
The screw just wouldn't turn any more and it locked the saddle tight against the screw pillar that it slides on.
I sighted the neck to see the amount of relief. Yea, a bit much but I kinda like it feeling warm and gummy. It was probably at about .02"
but that's just a rough guess after putting the .010" in there and seeing all the extra room.
I'd have left it there except for the inability to get the low E intonated.
Also, the Vs-100 parallel to the body had always been a tiny bit raised in the back, but it's comes back in tune after some brutal wanging so I'd not want to have to tighten the springs any farther.
So, last night I braced up the back of the VS-100 with a piece of thick leather belt, cut the strings off and also had a good look at why the saddle wouldn't move any further. It just ran out of room, The height adjustment screws were all the back to the end of the slots that guide them, and also it was pressing against the center screw pole. I had to back off the intonation adjustment screw to get it to release from the bridge.
OK so I guess I know what's going on. Probably the combination of the excessive relief and cutting the nut slot down got me there.
So I took the neck off and tightened about 1/4 turn.
Restrung with Ernie Ball 10s.
Did the stretching trick of tuning up one string 3, 4 or 5 semi-tones at a time and leaving it there for 5 minutes.
When done ... Tuned everything again played it for a while.
Yea, it's nice. It's a bit more accurate across the whole neck I guess, slightly lower action which I can raise when / if I feel like it.
Then I checked the intonation on the low E this morning and yes ... it's reading flat now so I can move the saddle back towards the nut.
So this makes me wonder, since I'm getting close to an other build ...
... are there are any other floating knife edge trems ( where's the NO FLOYD emoji ?!?!? ) out there that are designed just like the VS-100 but have more travel in the saddle adjustment?