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NGD- off the farm!

stubhead

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I sold my Ibanez RG7421 as soon as I got my Warmoth seven-string built, because the Ibanez had a "Wizard" neck and I simply play better with more meat in my fist. During my 16-month long "Year of Chords" I was drawn more and more to the seven, because they're like, better for that? Alas, the Warmoth has a pretty darn thin neck too, the sevens only come in one size. So, I found out that among the possible, the Schecters had a meaty, manly neck. Then, I found out that the first good Schecter sevens, the C-7+, were made in Korea in 1999. I had a Korean DeArmond M75-T, made in 1999, that had really good wood, pickups, whammy and frets, but (merely) cheap tuners... I traded that DeArmond as part of the booty for Gleamo's body, but anyway:

Sch1.jpg


This is a fine piece of meat too, and even the tuners are good. The fretwork is Schecter's usually-impeccable, Fender-beating quality. Fender and Gibson wander around asking "What can we do to regain market share from Schecter, Ibanez and ESP?" :icon_scratch: Hey, guys - FINISH BUILDING YOUR GUITARS - including frets! Duh. It plays really well, though I'm still dialing it in - I had to steel-wool the frets, this really looks like a guitar that hung on the music store's wall for a decade without being touched. It has "Duncan-designed" pickups, which do, indeed, pick up. I don't switch things willy-nilly, but since it's pretty bassy ("toothless" might be another adjective) I'm most inclined to go to 1 meg pots and a .015 capacitor first, if only to get the tone control to have more than two settings - on & mud. For $300, I don't mind a little tweaking. :hello2:

Sch2.jpg


You can see it's got a real maple top from careful examination of the switch & control insets (well I can), not just veneer, and a great maple neck - did I mention "meaty" yet...

Sch4.jpg


The Year of Chords might've just got an extension. It's pretty cute too, I always though the "SuperStratPaulocaster look" to be kinda suspect, but it had what I wanted, dammit - big, maple, set, seven-string neck; the twinklies are just extra. Honest.  :toothy12: For historically-accidental reasons, the only two possible uses for seven strings seem to be howling, having-sex-with-body-parts death metal, and sensitive fingerpicked jazz; I guess I'll have to take a stand here, soon.  :icon_scratch: Where do you get body parts*....


*(i'm pretty sure supermarket chicken don't count.....)



 
Nah, his sex-with-body-parts (pretty sure chicken doesn't count) made me think of the various times I've heard of people running electricity through a cow heart to use it when they get lonely.
 
My Year of Chords was just an attempt to focus in my spare practicing time on one particular aspect of playing, passing chords and thinking in three voices at once (weell, they seem the same to me....) I kinda take the long view, these days. I have had Ted Greene's books "Chord Chemistry" and "Advanced Chord Progressions" for years/decades but I'd never really worked through them, page-by-page, progression-by-progression. His widow/companion has recently started collecting and publishing some of the private lessons Greene gave to some of the best guitarists in the world, at:

http://www.tedgreene.com/

download a few sample PDF pages, and you'll see what I mean:

http://www.tedgreene.com/teaching/chords.asp

This was a guy who could play through a jazz standard ten different times, and they'd all be different - then he could write out all ten and explain why he chose the notes... AIIEE! He never wanted to be rich & famous, it would've interfered with his playing. Here's a neat-o clip of him playing the jazz standard "Autumn Leaves" the way J.S. Bach would've, had J.S Bach played jazz, had "Autumn Leaves" not been written 300 years later etc.:

http://www.youtube.com/watch?v=zDuee6blvj8&feature=related

About 2:41 in he starts off a run I'd give both arms to be able to play... you have to be able to think that way, to play that way.
 
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