gcvsa
Newbie
- Messages
- 24
I like to tune my guitars up five half-steps to A, but in order to do this on a regular scale length guitar, I have to use .008 gauge strings in order to avoid breakage. While this works fine, it does lead to some loss of output in the upper register, since there just isn't that much metal in the pickup's magnetic field.
I have discovered, however, the Squier Mini Strat, which is 22.75" scale length, and is very comfortable to play, plus has the benefit of being more compact for travel. The problem, of course, is that the Squier Mini is a very low quality guitar, and while it is possible to upgrade the electronics, its not possible to upgrade the wood. I suppose it might be possible to go to the Fender Custom Shop and pay a zillion dollars for an American Deluxe quality level Mini Strat, but I'd love to be able to buy one from Warmoth, instead.
With the shorter scale, I can move back up to heavier gauge strings and get that higher output and better tone back without worrying about broken strings all the time.
Another possibility is the Rickenbacker 320 series, with its 20.75" or 21" scale length, but Rickenbackers aren't really guitars that one tends to customise much. The really nice thing about the 22.75" scale length is that it's a Fender standard (albeit an uncommon one), and it also happens to lend itself very well to conversion to octave mandolin tuning, since that is a common scale length for octave mandolin. I actually have my Squier Mini setup with GDAE tuning on the middle four strings, like an octave mandolin, at the moment.
If I could get a nicer 22.75" scale guitar from Warmoth, I'd want four of them: two as guitars in standard tuning and A tuning, and two as octave mandolin (GDAE) and mandocello (CGDA).
Which reminds me, I also want a 24.75" or 25.5" scale fretless guitar set up as a cello, using a 4-string bass guitar bridge. Because I'm weird like that, and I've discovered my custom Warwick at 30" scale is actually a bit too long for cello tuning.
I have discovered, however, the Squier Mini Strat, which is 22.75" scale length, and is very comfortable to play, plus has the benefit of being more compact for travel. The problem, of course, is that the Squier Mini is a very low quality guitar, and while it is possible to upgrade the electronics, its not possible to upgrade the wood. I suppose it might be possible to go to the Fender Custom Shop and pay a zillion dollars for an American Deluxe quality level Mini Strat, but I'd love to be able to buy one from Warmoth, instead.
With the shorter scale, I can move back up to heavier gauge strings and get that higher output and better tone back without worrying about broken strings all the time.
Another possibility is the Rickenbacker 320 series, with its 20.75" or 21" scale length, but Rickenbackers aren't really guitars that one tends to customise much. The really nice thing about the 22.75" scale length is that it's a Fender standard (albeit an uncommon one), and it also happens to lend itself very well to conversion to octave mandolin tuning, since that is a common scale length for octave mandolin. I actually have my Squier Mini setup with GDAE tuning on the middle four strings, like an octave mandolin, at the moment.
If I could get a nicer 22.75" scale guitar from Warmoth, I'd want four of them: two as guitars in standard tuning and A tuning, and two as octave mandolin (GDAE) and mandocello (CGDA).
Which reminds me, I also want a 24.75" or 25.5" scale fretless guitar set up as a cello, using a 4-string bass guitar bridge. Because I'm weird like that, and I've discovered my custom Warwick at 30" scale is actually a bit too long for cello tuning.