I don't have that pedal, but about 100 years ago I had one of the original Univox Fuzztone units...
Man, that thing was
raunchy! (but I loved it to death at the time) Anyway, that one was good for microphonics.
Short story is: it was the input jack. New jack, no problem.*
Long story is: Distortion/fuzz devices are all about high gain, with modern units maybe having some other signal conditioning going on. But, that unit was fairly simple, and I'm pretty sure the way it worked was to amplify the incoming signal, put it across some back-to-back germanium diodes to clip the signal, then run the modified/squared-off signal though another variable amplification stage so you could blow your amp's speaker(s) after a while from having too high an average DC level that made the voice coils overheat. Yeah. Good times.
Those amplification stages were pretty sensitive because the original signal from the guitar is really small (millivolts), so any kind of hair on the incoming signal was also exaggerated (it's where I developed a deep and abiding hatred for single coils and the noise they bring to the party). But, the hair didn't always come from the guitar. Turns out a little oxidation (or other contamination) on the 1/4" input jack would make it what was effectively a loose connection. Not
loose loose, like it wasn't gonna hold the plug, but electrically loose as if two wires were just touching instead of being soldered together. So, you'd get spurious noise for no apparent reason, or if you physically disturbed the box. Not really microphonic so much as vibration sensitive. So, I replaced the input jack, and it was as good as new! (which was actually a pretty low bar... :laughing7
Incidentally, in the process of learning how the thing worked, it occurred to me that if those germanium diodes weren't there, the signal would never get clipped and the pedal would just act like a massive overdrive, sans the raunch. So, I clipped those little buggers out, and sure enough - it was a
beast! Actually sounded better, just overdriving the piss out of the front end of my Fender Pro Reverb. Couldn't take it too far or things got too muddy-nasty, but it was better than the fuzz tone if you wanted to sound big without having the police show up. Too much fun.
*The same thing happened again later after I'd had my first Whirlwind "Cobra" cord for a while. They used unplated brass plug ends on those things which would oxidize, and if you didn't take some steel wool after 'em to clean 'em up once in a while, they'd inject noise the same way the bum jack did.