Jusatele said:gold top
Worn out gold top. :icon_thumright:DMRACO said:Jusatele said:gold top
sorry..should have specified....I want to wood to show thru on this one...
:headbang1:Death by Uberschall said:Worn out gold top. :icon_thumright:DMRACO said:Jusatele said:gold top
sorry..should have specified....I want to wood to show thru on this one...
Cagey said:If you want to try something different, you could go the Potassium Dichromate route. I'm doing it with a mahogany Strat, and while the pictures so far don't really show it off best, the real life version is looking pretty good. It produces a more lively, lustrous finish that's deeper than dye or stain and really shows off the grain well. Plus, it doesn't add any weight or finish thickness if you worry about that sort of thing. Color can vary, though, depending one the particular wood and its source. Because of that, it's tough to test for color unless you have some of the original wood the piece was made of to play with. The chemical is not expensive, but you are kinda committed once you head down that route. There's no sanding or stripping it off, as it effects the wood itself.
DMRACO said:I have thought about this. DO you have to put a clear over it?
DMRACO said:trying some colors here...The grain was filled with tobacco brown filler. The top color is an amber...the middle is plain mahogany..the middle is 1/2 tobacco brown and 1/2 amber.
It has several wet coats of clear on it...still needs to be sanded and polished.
I also gave a try at some gold leaf...I think this guitar will have a name... :toothy12:
I like the amber or the "O-Nat-ur-al"....I'd say just tru-oil....call it a day. :icon_thumright:DMRACO said:trying some colors here...The grain was filled with tobacco brown filler. The top color is an amber...the middle is plain mahogany..the middle is 1/2 tobacco brown and 1/2 amber.
It has several wet coats of clear on it...still needs to be sanded and polished.
I also gave a try at some gold leaf...I think this guitar will have a name... :toothy12: