Sid Nitzerglobin
Junior Member
- Messages
- 77
With the sale and gifting away of all my proper Teles over the past several months and the recent availability of great looking bodies and necks w/ specs I like in the Showcase, it was time for a (couple of) new build(s). I just finished up the last of the parts orders for these 2, am well along the planning and prep process, and beginning the package tracking game.
The first will be using this Mahogany Thinline body that just wouldn't let go of me:
3lbs. 1oz. Planning to keep it pretty natural in the finish department w/ somewhere in the neighborhood of 9 coats of Stringed Instrument Lacquer. I just love the grain and color, not super flashy just beautiful and classy.
I'll be pairing the body up w/ the following neck:
It's got a 1 11/16" nut, a boatneck profile, and a 10-16" radius board. It's getting SS6105 frets, Grover tuner holes, and LSR nut prep and will be finished by me w/ Behlen Stringed Instrument Lacquer as well. It's my first time trying a compound radius/Modern construction neck, hopefully we get along well as I think it also looks great.
It's going to get a Bigsby B16, modified Mustang bridge, LSR nut, and Grover Roto-Grip 505C tuners to keep the strings on and vibrating and a Curtis Novak wound TK Smith Tele bridge and an SD Antiquity II Tele neck to turn the vibes into electrons.
I've dubbed it the Entomopter in large part thanks to the chopped pickguard shape I think I've decided on. I'll be band sawing/Dremeling/filing/sanding this one myself out of Bakelite blank:
Planning to wire it up like so (assuming I didn't miss something, kinda whipped up the 6P4T switching from scratch over the past couple of days so hopefully I didn't screw anything up :tard: ):
I'll be getting started on the headstock decal for this one next. Anyone have any recommendations on clear Inkjet or Laserjet waterslide stock for this? I've still got a sheet of the previous stuff I'd been using from Small Bear Electronics left but it kept wanting to curl under regardless of what I did on the last guitar.
I really don't "need" another semi-hollow, vibrato equipped guitar right now, but I'm super excited to put this one together none the less.
The second is one I've been planning to do for a while as a replacement for a Classic Player '72 Deluxe I had given a Delux-stom makeover to and since sold. It's inspiration was/is/will be D Boon's Custom, departing from the template in a few ways. The good thing is I've already got most of the other bits to put this one together in storage.
Loved the grain on this extra light Alder Custom body and the weight is good at a couple ounces short of 4 lbs. so snatched it up:
It'll be dyed Mocha w/ TransTint then thin finished w/ Stringed Instrument Lacquer and satined w/ 0000 steel wool. I'm hoping to keep the finish more transparent than the CP Deluxe's was so the grain shows through better but much thinner and less shiny. Guard will be a standard Custom shape in B/W/B to start.
The neck is a Vintage/Modern one piece bonus birdseye maple deal w/ 1 11/16" nut, straight 9.5" radius, and '59 roundback profile. It's also getting SS6105 frets but vintage tuner holes and will get a bone nut:
I'm tempted to retrofit it w/ a bullet truss rod nut, but it might turn out to be more risk than I wanna take for purely aesthetic reward.
It'll have a vintage style 3 barrel ashtray bridge w/ either Callaham Vintage Compensated brass, Gotoh InTune Titanium, or Barden steel saddles dependent on which winds sounding best to me. I've got a spare set Fender Japan vintage style tuners that will go on it as well. Debating if I want to order up another one of the brass ferrule blocks from DeLisle for this one, I love it on my Noisy Cricket build but routing for it turned out to be very stressful.
I'll be reusing the '78 Fender WRHB I got for the Delux-stom in the neck spot and either my current favorite for D Boon sounds, the SD APTL-2 or a Jerry Donahue at the bridge. Wiring will be pretty much stock vintage Custom.
Any recommendations on good spots to pick up a '72 Custom style headstock decal for this one?
Thanks for reading!
The first will be using this Mahogany Thinline body that just wouldn't let go of me:
3lbs. 1oz. Planning to keep it pretty natural in the finish department w/ somewhere in the neighborhood of 9 coats of Stringed Instrument Lacquer. I just love the grain and color, not super flashy just beautiful and classy.
I'll be pairing the body up w/ the following neck:
It's got a 1 11/16" nut, a boatneck profile, and a 10-16" radius board. It's getting SS6105 frets, Grover tuner holes, and LSR nut prep and will be finished by me w/ Behlen Stringed Instrument Lacquer as well. It's my first time trying a compound radius/Modern construction neck, hopefully we get along well as I think it also looks great.
It's going to get a Bigsby B16, modified Mustang bridge, LSR nut, and Grover Roto-Grip 505C tuners to keep the strings on and vibrating and a Curtis Novak wound TK Smith Tele bridge and an SD Antiquity II Tele neck to turn the vibes into electrons.
I've dubbed it the Entomopter in large part thanks to the chopped pickguard shape I think I've decided on. I'll be band sawing/Dremeling/filing/sanding this one myself out of Bakelite blank:
Planning to wire it up like so (assuming I didn't miss something, kinda whipped up the 6P4T switching from scratch over the past couple of days so hopefully I didn't screw anything up :tard: ):
I'll be getting started on the headstock decal for this one next. Anyone have any recommendations on clear Inkjet or Laserjet waterslide stock for this? I've still got a sheet of the previous stuff I'd been using from Small Bear Electronics left but it kept wanting to curl under regardless of what I did on the last guitar.
I really don't "need" another semi-hollow, vibrato equipped guitar right now, but I'm super excited to put this one together none the less.
The second is one I've been planning to do for a while as a replacement for a Classic Player '72 Deluxe I had given a Delux-stom makeover to and since sold. It's inspiration was/is/will be D Boon's Custom, departing from the template in a few ways. The good thing is I've already got most of the other bits to put this one together in storage.
Loved the grain on this extra light Alder Custom body and the weight is good at a couple ounces short of 4 lbs. so snatched it up:
It'll be dyed Mocha w/ TransTint then thin finished w/ Stringed Instrument Lacquer and satined w/ 0000 steel wool. I'm hoping to keep the finish more transparent than the CP Deluxe's was so the grain shows through better but much thinner and less shiny. Guard will be a standard Custom shape in B/W/B to start.
The neck is a Vintage/Modern one piece bonus birdseye maple deal w/ 1 11/16" nut, straight 9.5" radius, and '59 roundback profile. It's also getting SS6105 frets but vintage tuner holes and will get a bone nut:
I'm tempted to retrofit it w/ a bullet truss rod nut, but it might turn out to be more risk than I wanna take for purely aesthetic reward.
It'll have a vintage style 3 barrel ashtray bridge w/ either Callaham Vintage Compensated brass, Gotoh InTune Titanium, or Barden steel saddles dependent on which winds sounding best to me. I've got a spare set Fender Japan vintage style tuners that will go on it as well. Debating if I want to order up another one of the brass ferrule blocks from DeLisle for this one, I love it on my Noisy Cricket build but routing for it turned out to be very stressful.
I'll be reusing the '78 Fender WRHB I got for the Delux-stom in the neck spot and either my current favorite for D Boon sounds, the SD APTL-2 or a Jerry Donahue at the bridge. Wiring will be pretty much stock vintage Custom.
Any recommendations on good spots to pick up a '72 Custom style headstock decal for this one?
Thanks for reading!